British popular music

Source: Wikipedia, the free encyclopedia.
Not to be confused with British pop music, an article about the pop music genre of popular music.

British popular culture, Time called them "arguably the most recognisable face" of Cool Britannia, the mid-1990s celebration of youth culture in the UK.[6]
Pink Floyd were an English rock band formed in London. They achieved international acclaim with their progressive and psychedelic music. Distinguished by their use of philosophical lyrics, sonic experimentation, extended compositions, and elaborate live shows, they are one of the most commercially successful and influential groups of popular music history.

British popular music and

grime, afroswing, dubstep and Britpop
.

Early British popular music

Main article: Early British popular music
An eighteenth-century broadside ballad

Commercial music enjoyed by the people can be seen to originate in the sixteenth and seventeenth centuries with the arrival of the broadside ballad, which were sold cheaply and in great numbers until the nineteenth century.[9] Further technological, economic and social changes led to new forms of music in the nineteenth century, including the brass band, which produced a popular and communal form of classical music.[10] Similarly, the music hall sprang up to cater for the entertainment of new urban societies, adapting existing forms of music to produce popular songs and acts.[11] In the 1930s the influence of US jazz led to the creation of British dance bands, who provided a social and popular music that began to dominate social occasions and the radio airwaves.[12]

1950s

Main article: Music of the United Kingdom (1950s)

By 1950, indigenous forms of British popular music were already giving way to the influence of American forms of music including

folk revival that came to place an emphasis on national traditions and then in early attempts to produce British rock and roll.[13] However it's important to note that American folk music itself has its root in British and Irish folk music, and so was seen as more of a shared cultural tradition than a new form of music.[14][15] Indeed, many of the later American genres such as Blues and Rock & Roll share origins with earlier Folk and popular music that merged with predominantly African American forms of music to create what would become the aforementioned genres.[16][17] A key feature in much American music being the Scotch Snap
for example. This evidences a common theme of cyclical exportation and re-exportation of British and American music between the respective cultures.

1960s

Main article: Music of the United Kingdom (1960s)
The Beatles.

By the early 1960s the British had developed a viable national music industry and began to produce adapted forms of American music in

Rolling Stones.[18] This helped to make the dominant forms of popular music something of a shared Anglo-American project. The development of British blues rock helped revitalised rock music and led to the growing distinction between pop and rock music. In the mid-1960s, British bands were at the forefront in the creation of the hard rock genre. While pop music continued to dominate the singles charts, teen culture continued to dominate. Rock began to develop into diverse and creative subgenres that characterised the form throughout the rest of the twentieth century.[19]

1970s

Main article: Music of the United Kingdom (1970s)
Led Zeppelin performing in 1975

In the 1970s British musicians played a major part in developing the new forms of music that had emerged from

post punk bands who mixed different forms of music and influences to dominate rock and pop music into the 1980s.[22]

1980s

Main article: Music of the United Kingdom (1980s)
Queen in concert, 1984

Rock and pop music in the 1980s built on the

synthpop
.

Dire Straits in 1985.

In the early years of the decade, while subgenres like

Hip Hop and House music, while the single charts were once again dominated by pop artists, now often associated with the Hi-NRG hit factory of Stock Aitken Waterman. The rise of the Indie rock scene was partly a response to this, and marked a shift away from the major music labels and towards the importance of local scenes like Madchester and subgenres, like gothic rock.[26]

1990s

Main article: Music of the United Kingdom (1990s)
Gallagher brothers of Oasis on stage

In the 1990s, while the singles charts were dominated by

post rock and indie pop, which led to the commercial success of Britpop bands like Blur and Oasis; followed by a stream of post-Britpop bands like Travis and Feeder, which led the way for the international success of bands including Snow Patrol and Coldplay.[29]

2000s

Main article:
Music of the United Kingdom (2000s)
Coldplay, considered to be the most commercially successful British rock act of the 2000s.

At the beginning of the new millennium, while talent show contestants were one of the major forces in pop music, British soul maintained and even extended its high-profile with figures like

post punk, which when mixed with electronic music produced new rave.[32]

2010s

The success of UK artists in the US during the early 2010s led to some claiming a new British Invasion was taking place, as British musicians took their largest ever share of the US album charts year-on-year between 2011 (11.7% of US market), 2012 (13.7% of US market), 2013 and 2014.[33] Notable British musicians achieving global success at the beginning of the 2010s include Dua Lipa, One Direction, Little Mix, Cher Lloyd, Rita Ora, Adele and Mumford & Sons.

Ed Sheeran performing at the Royal Albert Hall in London, March 2014

Back To Black by Amy Winehouse became the UK's second best selling album of the 21st century and its 13th best-selling album of all time following her death in 2011, certified platinum 11 times.[34]

Adele performing in Glasgow, 2016.

In 2013, despite the trend of declining album sales persisting, the British music industry saw a 9% growth in revenue which could be traced to "individual revenues by musicians, singers, composers, songwriters and lyricists",

Sam Smith, George Ezra, Paolo Nutini, Coldplay and One Direction.[36]

Sam Smith's debut album In the Lonely Hour, released in 2014, peaked at number one in the United Kingdom, New Zealand and Sweden, and number two in Australia, Canada, Denmark, Ireland, Norway and the United States. In the same year, Ed Sheeran's second album x charted at number one in twelve countries, topping both the UK Albums Chart and the US Billboard 200, and reaching the top 5 in eleven other countries. Also in 2014, One Direction's album Four reached number 1 in the UK, became the top charted album on iTunes in 67 countries and debuted at No. 1 on the Billboard 200 chart in the US. As a consequence, One Direction became the first band to reach number one on the US Billboard chart with each of their first four albums, British or otherwise.[37] Adele's 25 released in 2015 has gone on to sell over 3.5 million copies and broke records immediately after its release in the UK. Adele's success was noted for reviving the music industry and saving the dwindling sales worldwide.

See also

References

  1. ^ Jones, Alice (5 December 2012). "Will Spice Girls inspired musical Viva Forever! spice up my life again?". The Independent. London. Retrieved 8 December 2012.
  2. ^ Thomas, Rebecca (25 April 2012). "TLC's Left Eye Remembered: 10 Years Later". MTV News. Retrieved 23 June 2012.
  3. ^ "New Spice Girls documentary on BBC One". BBC. 19 October 2007. Retrieved 25 August 2008.
  4. ^ "1998: Ginger leaves the Spice Girls". BBC. 31 May 1998. Retrieved 15 April 2017.
  5. ^ Dawson, Ryan. "Beatlemania and Girl Power: An Anatomy of Fame". Bigger Than Jesus: Essays on Popular Music. University of Cambridge. Archived from original on 28 April 2005. Retrieved 17 February 2017.
  6. ^ Waxman, Olivia B. (8 July 2016). "An Important Lesson in British History From the Spice Girls". Time. Retrieved 31 October 2016.
  7. ^ R. Shuker, Understanding popular music (London: Routledge, 2nd edn., 2001), pp. 8-10.
  8. ^ P. Childs, M. Storry, Encyclopedia of contemporary British culture (London: Taylor & Francis, 1999), p. 412.
  9. ^ B. Capp, 'Popular literature', in B. Reay, ed., Popular Culture in Seventeenth-Century England (Routledge, 1985), p. 199.
  10. ^ T. Herbert, The British Brass Band: a Musical and Social History (Oxford: Oxford University Press, 2000), pp. 4-5.
  11. ^ Diana Howard London Theatres and Music Halls 1850-1950 (1970).
  12. ^ C. Parsonage, The Evolution of Jazz in Britain, 1880-1935 (Aldershot: Ashgate Publishing, Ltd., 2005), pp. 197-200.
  13. ^ a b R. Unterberger, "British Rock & Roll Before The Beatles", AllMusic [dead link]
  14. ^ Raph, Theodore. The American Song Treasury, Dover Publications (1986)
  15. ^ "PBS - American Roots Music : Eternal Songs - Folk Songs and Ballads". Pbs.org. Retrieved 7 February 2022.
  16. ^ Paul Kelbie, "Gospel Truth - Hebrides Invented Church Spirituals", The Independent - UK, 9-19-3
  17. ISBN 9781594031434
    .
  18. ^ "British Invasion - Origins, Groups, & Facts". Britannica.com. Retrieved 28 November 2018.
  19. The Cambridge Companion to Pop and Rock
    (Cambridge University Press, 2001), pp. 93-108.
  20. ^ "Prog-Rock/Art Rock". AllMusic. AllMusic. 2007. Archived from the original on 14 January 2011. Retrieved 4 December 2007.
  21. ^ A. Donnell, Companion to contemporary Black British culture (London: Taylor & Francis, 2002), p. 185.
  22. ^ P. Childs, and M. Storry, Encyclopedia of contemporary British culture (London: Taylor & Francis, 1999), p. 436.
  23. ^ N. Zuberi, Sounds English: Transnational Popular Music (University of Illinois Press, 2001), p. 188.
  24. ^ "Band Bio". ironmaiden.com. Retrieved 18 January 2021.
  25. ^ Rip It Up and Start Again Postpunk 1978-1984 by Simon Reynolds pp. 340, 342-343.
  26. ^ S. Frith, Popular Music: The rock era (London, Routledge, 2004).
  27. Turn the Beat Around: The Secret History of Disco
    (Basingstoke: Macmillan, 2006), pp. 288-9.
  28. ^ D. Else, J. Attwooll, C. Beech, L. Clapton, O. Berry, and F. Davenport, Great Britain (London, Lonely Planet, 2007), p. 75.
  29. ^ V. Bogdanov, C. Woodstra, S. T. Erlewine, All Music Guide to Rock: The Definitive Guide to Rock, Pop, and Soul (Backbeat Books, 3rd edn., 2002), pp. 1346-7.
  30. ^ N. McCormick, "Flower of Brit-soul turns shrinking violet" Daily Telegraph, 29 January 2004, retrieved 02/07/09.
  31. ^ McKinnon, Matthew (5 May 2005). "Grime Wave". Canadian Broadcasting Corporation. Retrieved 24 February 2008.
  32. ^ J. Harris, "New Rave? Old Rubbish", The Guardian, 13 October 2006, retrieved 31 March 2007.
  33. ^ "The New British Invasion: UK Acts Claim Largest Share Ever of US Album Market". Billboard.com. Archived from the original on 29 November 2018. Retrieved 28 November 2018.
  34. ^ "Amy Winehouse's Back to Black sets chart record". Archived from the original on 26 August 2011. Retrieved 27 August 2011.{{cite web}}: CS1 maint: bot: original URL status unknown (link). BBC News. 25 August 2011.
  35. ^ Michaels, Sean (17 September 2014). "British music industry added £3.8bn to the UK economy in 2013". The Guardian. Retrieved 28 November 2018.
  36. ^ "UK album chart for 2014 dominated by British artists". BBC. Retrieved 1 January 2014.
  37. ^ "One Direction make US album chart history". Digitalspy.co.uk. 26 November 2014. Retrieved 28 November 2018.
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