James William Wild

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James William Wild
Wild at the start of the Lepsius expedition in Egypt, 1842. Drawing by J.J. Frey.
Born(1814-03-09)9 March 1814
Lincoln, Lincolnshire, England
Died7 November 1892(1892-11-07) (aged 78)
NationalityBritish
OccupationArchitect

James William Wild (9 March 1814 – 7 November 1892) was a British architect. Initially working in the Gothic style, he later employed round-arched forms. He spent several years in Egypt. He acted as decorative architect to the Great Exhibition of 1851, and designed the Grimsby Dock Tower, completed in 1852.[1] After a considerable break in his career he worked on designs for the South Kensington Museum, and designed the British embassy in Tehran. He was curator of the Sir John Soane's Museum from 1878 until his death in 1892.

Early life and career

Wild was born in Lincoln,[2] the son of the watercolourist Charles Wild.

Wild was articled to the architect George Basevi from 1830. After his apprenticeship, he concentrated on Gothic design, and was entrusted with the design of a country church. He was subsequently engaged on many other church projects, and six churches had been built to his design before 1840.

Christ Church, Streatham

Christ Church, Streatham (1841)

Commissioned to build a new church at

campanile, with a small pyramidal spire.[4] A contemporary reviewer wrote that "it has been called Moorish, Byzantine, Arabian, &c, but we incline to think that it may more justly claim the title of 'Italian' than that Palladian modification which has so long monopolized that title in England."[4]

Wild is not known to have travelled abroad by this time, but in developing this new style he would have been able to draw on the advice of friends who had, such as

Royal Academy in 1840, along with another for a church at Paddington (which was never built), in a Lombardic style, with western tower and a central cupola.[6]

In July 1841 Wild built a temporary pavilion seating 2,850 at Liverpool for the "Grand Dinner of the Royal Agricultural Society".[7]

Egypt

In 1842 he went to Egypt to work as an architectural draughtsman for the Egyptologist

campanile – in 1854.[10]

Return to Britain

Grimsby Dock Tower (1852)

Wild returned to Britain in 1848, having travelled via Constantinople, Italy and Spain.

Palazzo Publico in Siena.[5]

South Kensington

The next 14 years of Wild's career remain obscure, and it appears that his professional activities were limited by illness, his only recorded design work during this time being a stained-glass window for the South Kensington Museum's Oriental Court, the interiors of which were designed by Owen Jones.

museum's branch at Bethnal Green,[11] where he designed a new brick structure to be constructed around prefabricated elements previously erected at South Kensington.[12] The works at South Kensington employed a hybrid round-arched style, often referred to by the German term rundbogenstil.[11]

In 1869 Wild drew up designs for chancery buildings for the British Embassy at Alexandria and for the British legation at Tehran. Only the latter was built,[5] completed in 1876.[13] His supervising assistant in Tehran was Caspar Purdon Clarke, one of the South Kensington architectural staff, who also, in 1872, went to Alexandria to oversee the mural decorations at Wild's church there.[11]

Later life

Wild was curator of the Sir John Soane's Museum in London from 1878 to his death in 1892. He made substantial changes to the galleries at the rear of the Soane Museum to improve daylighting, but many of these have since been reversed, as more recent restorations have tried to bring the museum closer to its appearance in Soane's day.

His extensive manuscripts, including drawings from his travels, are now housed in the Griffith Institute of the University of Oxford.[2] The Victoria and Albert Museum also holds a selection of sketches by Wild.[14]

Works

The church of St Mary and St Cuthbert at Barton, Yorkshire, sometimes attributed to Wild, is by Joseph Bonomi.[5]

References

  1. ^ Brodie, Antonia (2001). Directory of British Architects 1834–1914. p.989
  2. ^ a b "Griffith Institute Archive Description of material". Griffith Institute Archive. {{cite web}}: Missing or empty |url= (help)
  3. ^
    S2CID 195031457
    .
  4. ^ a b c "Christ Church, Streatham, Surrey". The Christian Guardian: 196. 1842.
  5. ^ a b c d e f g h i j k l m n o Alan Baxter and Associates. "Bethnal Green Museum of Childhood Conservation Report" (PDF). Archived from the original (PDF) on 14 August 2014.
  6. ^ Cave, Edward (July 1840). "Royal Academy". Gentleman's Magazine: 68.
  7. ^ a b "The Liverpool Pavilion". The Civil Engineer and Architect's Journal: 3–4. 1842.
  8. ^
    ISBN 9782917902806. Retrieved 19 July 2019. {{cite book}}: |website= ignored (help
    )
  9. ^ Caspar Purdon Clark noted that Wild "cared more for dwellings of burgher people than for temples or palaces",
  10. .
  11. ^ a b c d e f F. H. W. Sheppard (General Editor) (1975). "'South Kensington' and the Science and Art Department". Survey of London: volume 38: South Kensington Museums Area. Institute of Historical Research. Retrieved 6 March 2012. {{cite web}}: |author= has generic name (help)
  12. ^ Stephen Bayley (10 December 2006). "Much more than a doll's house". The Guardian. London. Retrieved 6 March 2012.
  13. ^ "History of the British Embassy Tehran: The Construction". Foreign and Commonwealth Office. {{cite web}}: Missing or empty |url= (help)
  14. ^ "Drawing | Wild, James William | V&A Search the Collections". 23 July 2019.
  15. ^ "Hampshire". The British Magazine, and Monthly Register of Religious and Ecclesiastical Information. IX: 705. 1836.
  16. ^ "A Brief History of West End". West End Local History Society. Archived from the original on 22 July 2012. Retrieved 11 February 2013.
  17. ^ "CHELMSFORD, St. John, Moulsham". Archived from the original on 29 April 2014.
  18. .

External links