La Thébaïde

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La Thébaïde (The

Phoenician Women of Euripides, but especially the Antigone of Jean Rotrou and the tragedies of Pierre Corneille
.

This ancient Theban drama attracted great interest among 17th century French writers. The young Racine drew principally upon sources from Sophocles and Euripides, as well as the Antigone [fr] of Rotrou, and the Oedipus of Pierre Corneille. Molière may also have assisted in the play's composition.

Plot

The plot is the same as the rest of the Theban plays and poems, in which

Creon
. All these characters without exception are killed. Some kill themselves or die of grief. Their characters are quite weakly drawn, Eteocles and Polynices are monotonously violent, Jocasta tired by their declamations, and Creon is a cynical traitor.

Analysis

Traditional scholarship saw limited merit in the play, deeming it an only partially successful work of a still maturing dramatist. In his groundbreaking work On Racine, however, Roland Barthes treats the play as seriously as Racine's greatest Greek dramas, including Phèdre and Iphigénie).[2] Since Barthes, recent scholarship has shown greater interest, exploring, for example, power relationships driving the action, and, more broadly, fundamental problems of political philosophy that arise with respect to the legitimacy of the modern state.[3]

References

  1. ^ Date of the premiere and the venue are listed by Joseph E. Garreau, "Jean Racine" in Hochman 1984, p. 194.
  2. ^ Roland Barthes, Sur Racine, Paris, FR: Seuil, 1963
  3. ^ Eric Heinze, ‘“This power isn’t power if it’s shared’: Law and Violence in Jean Racine’s La Thébaïde’, 22(1) Law & Literature (2010)

Further reading

  • Hochman, Stanley, editor (1984). McGraw-Hill Encyclopedia of World Drama (second edition, 5 volumes). New York: McGraw-Hill. .

External links