Macabre

Source: Wikipedia, the free encyclopedia.
Upper section of the Transi of René de Chalon. Sculpture by Ligier Richier, c. 1545–1547.
A death head wearing the Imperial Crown of the Holy Roman Empire, on the sarcophagus of Habsburg emperor Charles VI in the crypt of the Capuchin church in Vienna, Austria.
Trionfo della Morte ("Triumph of Death"), fresco painted by Buonamico Buffalmacco[1] (c. 1330s–1350, disputed),[2] Pisa, Italy
Sedlec Ossuary, Czech Republic
Totentanz ("Dance of the Dead"), illustration from the Nuremberg Chronicle, by Hartmann Schedel (1440–1514)

In

works of art, the adjective macabre (US: /məˈkɑːb/ or UK: /məˈkɑːbrə/; French: [makabʁ]) means "having the quality of having a grim or ghastly atmosphere". The macabre works to emphasize the details and symbols of death
. The term also refers to works particularly gruesome in nature.

History

Early traces of macabre can be found in

medieval Europe, few remain except in woodcuts and engravings
.

  • The series at Basel originally at the Klingenthal, a nunnery in Little Basel, dated from the beginning of the 14th century. In the middle of the 15th century this was moved to the churchyard of the Predigerkloster at Basel, and was restored, probably by Hans Kluber, in 1568. The collapse of the wall in 1805 reduced it to fragments, and only drawings of it remain.
  • A Dance of the Dead in its simplest form still survives in the Marienkirche at Lübeck as 15th-century painting on the walls of a chapel. Here there are 24 figures in couples, between each is a dancing Death linking the groups by outstretched hands, the whole ring being led by a Death playing on a pipe.
  • In
    St. Nikolaus Church (Niguliste)
    , dating the end of 15th century.
  • At Dresden there is a sculptured life-size series in the old Neustädter Kirchhoff, moved here from the palace of Duke George in 1701 after a fire.
  • At Rouen in the cloister of St Maclou there also remains a sculptured danse macabre.
  • There was a celebrated fresco of the subject in the cloister of Old St Pauls in London.
  • There was another in the now destroyed Hungerford Chapel at Salisbury, of which only a single woodcut, "Death and the Gallant", remains.
  • Of the many engraved reproductions of the Old St Pauls fresco, the most famous is the series drawn by Holbein.

The theme continued to inspire artists and musicians long after the medieval period, Schubert's string quartet Death and the Maiden (1824) being one example, and Camille Saint-Saëns' tone poem Danse macabre, op. 40 (1847).
In the 20th century, Ingmar Bergman's 1957 film The Seventh Seal has a personified Death, and could thus count as macabre.

The origin of this allegory in painting and sculpture is disputed. It occurs as early as the 14th century, and has often been attributed to the overpowering consciousness of the presence of death due to the

Campo Santo of Pisa.[1]

Etymology

The etymology of the word "macabre" is uncertain. According to Gaston Paris, French scholar of Romance studies, it first occurs in the form "macabree" in a poem, Respit de la mort (1376), written by the medieval Burgundian chronicler Jean Le Fèvre de Saint-Remy:[5]

Je fis de Macabree la dance,
Qui toute gent maine a sa trace
Et a la fosse les adresse.[5]

The more usual explanation is based on the Latin name, Machabaeorum chorea ("Dance of the

Arabic word maqābir (مقابر, plural of maqbara) which means "cemeteries".[citation needed
] A related suggestion has been made that the word originates in Hebrew mqbr meaning "from the grave".

See also

References

  1. ^ .
  2. ^ .
  3. ^ "Roald Dahl Day: From Tales of the Unexpected to Switch Bitch, Dahl's undervalued stories for adults". The Independent. 14 October 2017.
  4. Du Cange
    , Gloss., s.v. Machabaeorum chora.
  5. ^
    JSTOR 45042550
    . Retrieved 21 September 2022.
  6. ^ The Shorter Oxford English Dictionary (Fifth edition; 2002) states that the origin of "macabre" perhaps has reference to "a miracle play containing the slaughter of the Maccabees." Volume 1, p. 1659.

External links