Nadia El Fani

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Nadia El Fani
Fani in 2015 in Rome.
Born1960
Nationality
  • Tunisian
  • French
Occupations
  • Film director
  • screenwriter
  • speaker
  • political activist
Years active1982–present
MovementSecular movement

Nadia El Fani (

Arabic: نادية الفاني; born 1960 in Paris), is a French-Tunisian film director, screenwriter and producer.[1] She has primarily directed documentary films about human rights, women's rights, secularism, and criticism of religion.[2]

Biography

Career until 2011

Nadia El Fani was born to a French mother and a Tunisian father. Her father Béchir El Fani was one of the leaders of the Tunisian Communist Party after independence.[3] He appeared in her film Ouled Lenine.[4] She is the sister of cinematographer Sofian El Fani.

She began working in cinema as an intern

feminist groups, she began making documentaries in 1993 with Femmes Leader du Maghreb and Tanitez-moi.[3]

El Fani relocated to Paris in

postproduction of her first long fiction film, Bedwin Hacker.[3] She wanted to escape the regime of Ben Ali,[7] Tunisian society which she felt was becoming more conservative due to the pressure of Islamists, and the threats she received for two controversial scenes in Bedwin Hacker.[8]: 26:10  Thereafter she directed several documentaries, including Ouled Lenine in 2008. In the autumn of 2009, El Fani was diagnosed with breast cancer, and began chemotherapy treatment, causing hair loss.[9][10]

Neither Allah nor Master controversy

El Fani discusses the Neither Allah nor Master controversy at the
Secular Conference
2014 in London.

The

laïcité (secularism) and warns against the threat of Islamism.[11]

In late April 2011, El Fani was invited by

bald because she was still undergoing chemotherapy.[7]

An edited shorter version of the interview went viral online shortly after, causing an Islamist[

Allahu akbar! with black flags and effectively preventing the screening. Islamist lawyers filed complaints against her film.[11] El Fani received numerous death threats for being an atheist and bald and was the target of massive defamation on social media.[7] One person on social media promised 200 million dinars to whoever would kill her.[12] She decided to flee Tunisia and once again return to France to escape persecution and imprisonment.[13]

Her film premiered in France on 21 September 2011 with the title Laïcité, Inch'Allah !, and she received the Prix Internationale de la laïcité for it. She was also recovering from her cancer, joking that "The Revolution was the best of the remedies". Although she hoped to return to Tunisia "to live there and finally be free", she was afraid to go and that her passport would be confiscated.[9]

Career after 2011

El Fani directed Même pas mal in 2012. In it, she compares her struggle with breast cancer to the political battle against Islamic fundamentalism.[10]

After Tunisian

FEMEN activist Amina Tyler was arrested for posting a nude photo of herself online in 2013, El Fani was one of many who supported her. She shared an image of herself on Facebook with a statement on her chest: “My body belongs to me and is not the source of anyone’s honour.”[14] In 2013, she co-directed Nos seins, nos armes !, a documentary about the FEMEN movement for France 2
.

On 2 June 2017, the six complaints lodged against her in 2011 following the broadcast of her film Neither Allah nor Master were dismissed.[15] In November 2017, she returned to Tunisia to present her film Même pas mal.[16] It was the first time in six years she had been to Tunisia and seen her father, during which the state had banned all her films.[12]

Filmography

Nadia El Fani speaks about her work and the audiences' reactions at the
Secular Conference
2017.

Recognition

In 2011, El Fani received the Prix de la laïcité ("Secularism Award") from the Comité Laïcité République in France.[17] In 2013, she won the FESPACO award for Best Feature Documentary for Même Pas Mal.

References

  1. ^ "Nadia El Fani". IMDb. Retrieved 2020-10-09.
  2. ^ Welle (www.dw.com), Deutsche. "Nadia El Fani est l'invitée du Forum des cultures | DW | 18.10.2011". DW.COM (in French). Retrieved 2020-10-09.
  3. ^ a b c d e "Nadia El Fani". franceinter.fr (in French). Retrieved 14 March 2018.
  4. ^ "Entre manipulation télévisuelle et justesse cinématographique". Attariq Al Jadid (in French). 4 November 2008. Retrieved 30 September 2017.
  5. allocine.fr
    . Retrieved 25 March 2016.
  6. imdb.com
    . Retrieved 25 March 2016.
  7. ^
    L'Obs
    (in French). Retrieved 13 March 2018.
  8. ^ Sanogo, Aboubakar. "IN FOCUS: Studying African Cinema and Media Today" (PDF). Cinema Journal.
  9. ^ a b Gaëlle Rolin (23 October 2011). "Nadia El Fani, Liberté, égalité, laïcité". Madame Figaro (in French). Retrieved 14 March 2018.
  10. ^ a b Henda Chennaoui (1 December 2015). "Nadia El Fani fait son Cinéma ?". Nawaat (in French). Retrieved 14 March 2018.
  11. ^ a b Elhanan Miller (8 June 2012). "Exiled Tunisian filmmaker comes to Tel Aviv to explain the revolution she documented". The Times of Israel. Retrieved 13 March 2018.
  12. ^ a b Hadani Ditmars (15 February 2018). "Nadia el-Fani: a soldier of secularism fights on". Middle East Institute. Retrieved 14 March 2018.
  13. ^ Daniel Silas Adamson (22 October 2014). "My enemy's enemy - the battle for secularism". OpenDemocracy. Retrieved 13 March 2018.
  14. ^ Priscilla Frank (17 November 2016). "Paintings Of Feminist Protestors Celebrate The Women Who Bare It All To Fight Back". HuffPost. Retrieved 13 March 2018.
  15. ^ "Cinéma : les plaintes contre Nadia El Fani classées sans suite". kapitalis.com (in French). 2 June 2017. Retrieved 26 December 2017.
  16. ^ "Même pas mal de Nadia El Fani aux JCC 2017". kapitalis.com (in French). 24 October 2017. Retrieved 18 November 2017.
  17. ^ "Les lauréats du Prix de la Laïcité et les présidents du jury depuis 2003". laicite-republique.org (in French). 7 September 2017. Retrieved 10 October 2017.

External links