Pandav Lila

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Pandav Lila or Pandav Nritya (

bhankore.[3] The performances, which can last anywhere from three days to a month in different villages, draw large crowds and are an important cultural highlight of the year.[4] The ritualistic drama features actors who often spontaneously become "possessed" by the spirits of their characters and begin to dance.[5]

History and format

The origins of the Pandav Lila are intermingled with

Rajputs of Uttarakhand.[2] A performance is often called a Śrāddha, which is a Hindu ritual of ancestor worship, and the lila is seen as a form of ancestor worship; today, many Garhwalis self-identify as the descendants of the Pandavas.[6] The performances are usually held between November and February, and a particular village may not host it every year.[7] People may travel to a nearby village to witness the lila.[7] Sax writes that "most villagers in Garhwal are probably within walking distance of a pandav lila in any given year".[8]

Every village can have its own variation, and some may place a greater emphasis on singing or drama.[7] The performances begin at night and last till early mornings. The episodes from the epic are not necessarily performed in a linear order, as the intention is not to convey the epic's story but dance out or enact specific scenes that the artists or villagers are familiar with.[7] As the story progresses and the action intensifies, they begin to start earlier in the day and continue till morning next day. The most-awaited episode is often a battle between a father and a son, Arjuna and Nagarjuna, which is known by the name gainda (Hindi for rhinoceros), as it involves Arjuna killing the rhinoceros that belongs to his son.[4] The weapons used in the drama are worshipped and are never allowed to touch the ground, so they can retain their power, and are taken care of till the next lila.[9] As it is practically impossible to enact the whole of Mahabharata, the longest epic poem in existence, the performers can choose their own episodes for enactment.[10]

Notes

  1. ^ Sax 2002, p. 21
  2. ^
    ISBN 9788120827387
    – via Google Books.
  3. ^ "ICHCAP | e-Knowledge Center". www.unesco-ichcap.org.
  4. ^
    JSTOR 605490
    .
  5. ^ Sax 2002, p. 23
  6. ^ Sax 2002, p. 57
  7. ^
    S2CID 193246028
    .
  8. ^ Sax 2002, p. 52
  9. ISBN 9780520210387
    – via Google Books.
  10. ^ Sax 2002, p. 32

Bibliography

  • Sax, William Sturman (2002). Dancing the Self: Personhood and Performance in the Pāṇḍava Līlā of Garhwal.
    ISBN 9780195139150
    .

External links
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