Shigeru Miyamoto

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"Miyamoto" redirects here. For the Japanese surname, see Miyamoto (surname). For the crater, see Miyamoto (crater).

The native form of this personal name is Miyamoto Shigeru. This article uses Western name order when mentioning individuals.
Shigeru Miyamoto
宮本 茂
Miyamoto in 2015
Born (1952-11-16) November 16, 1952 (age 71)
Sonobe, Kyoto, Japan
Alma materKanazawa College of Art
Occupations
  • Game designer
  • game producer
  • game director
Employer
Nintendo EAD (1984–2015)
Senior Managing Director at Nintendo (2002–2015)
Representative Director at Nintendo (2002–present)
Fellow at Nintendo (2015–present)[1]
SpouseYasuko Miyamoto
Children2
AwardsAIAS Hall of Fame Award (1998)[2]
BAFTA Fellowship (2010)
Person of Cultural Merit (2019)
Signature

Shigeru Miyamoto (Japanese: 宮本 茂, Hepburn: Miyamoto Shigeru, born November 16, 1952) is a Japanese video game designer, producer and game director at Nintendo, where he serves as one of its representative directors as an executive since 2002. Widely regarded as one of the most accomplished and influential designers in video games, he is the creator of some of the most acclaimed and best-selling game franchises of all time, including Mario, The Legend of Zelda, Donkey Kong, Star Fox and Pikmin. More than 1 billion copies of games featuring franchises created by Miyamoto have been sold.

Born in

Donkey Kong
.

Miyamoto's games

Pokémon Red and Blue (1996) and Metroid Prime (2002). Following the death of Nintendo president Satoru Iwata in July 2015, Miyamoto became acting president alongside Genyo Takeda until he was formally appointed "Creative Fellow" a few months later.[5]

Early life

Miyamoto graduated from Kanazawa College of Art in Ishikawa Prefecture.

Miyamoto was born on November 16, 1952, in the Japanese town of Sonobe, Kyoto Prefecture.[3] His parents were of "modest means", and his father taught English.[3]

From an early age, Miyamoto explored the natural areas around his home. He discovered a cave, and, after days of hesitation, went inside. His expeditions into the Kyoto countryside inspired his later work, particularly The Legend of Zelda, a seminal video game.[6]

In the early 1970s, Miyamoto graduated from

Kanazawa Municipal College of Industrial Arts with a degree in industrial design.[3] He had a love for manga and initially hoped to become a professional manga artist before considering a career in video games.[7] He was influenced by manga's classic kishōtenketsu narrative structure,[8] as well as Western genre television shows.[9] He was inspired to enter the video game industry by the 1978 arcade hit Space Invaders.[10]

Career

1977–1984: Arcade beginnings and Donkey Kong

I feel that I have been very lucky to be a game designer since the dawn of the industry. I am not an engineer, but I have had the opportunities to learn the principles of game [design] from scratch, over a long period of time. And because I am so pioneering and trying to keep at the forefront, I have grown accustomed to first creating the very tools necessary for game creation.

— Shigeru Miyamoto (translated)[11]

In the 1970s, Nintendo was a relatively small Japanese company that sold playing cards and other novelties, although it had started to branch out into toys and games in the 1960s. Through a mutual friend, Miyamoto's father arranged an interview with Nintendo president Hiroshi Yamauchi. After showing some of his toy creations, he was hired in 1977 as an apprentice in the planning department.[3]

Miyamoto helped create the art for the coin-operated arcade game, Sheriff.[4] He first helped the company develop a game after the 1980 release Radar Scope. The game achieved moderate success in Japan, but by 1981, Nintendo's efforts to break it into the North American video game market had failed, leaving them with a large number of unsold units and on the verge of financial collapse. Nintendo president Hiroshi Yamauchi decided to convert unsold Radar Scope units into a new arcade game. He tasked Miyamoto with the conversion,[12]: 157  about which Miyamoto has said self-deprecatingly that "no one else was available" to do the work.[13] Nintendo's head engineer, Gunpei Yokoi, supervised the project.[12]: 158 

Miyamoto imagined many characters and plot concepts, but eventually settled on a

Donkey Kong.[15]
: 212 

Donkey Kong was a success, leading Miyamoto to work on sequels Donkey Kong Jr. in 1982 and Donkey Kong 3 in 1983. In January 1983, the 1982 Arcade Awards gave Donkey Kong the Best Single-player video game award and the Certificate of Merit as runner-up for Coin-Op Game of the Year.[16] In his next game, he gave Mario a brother: Luigi. He named the new game Mario Bros. Yokoi convinced Miyamoto to give Mario some superhuman abilities, namely the ability to fall from any height unharmed. Mario's appearance in Donkey Kong—overalls, a hat, and a thick mustache—led Miyamoto to change aspects of the game to make Mario look like a plumber rather than a carpenter.[17] Miyamoto felt that New York City provided the best setting for the game, with its "labyrinthine subterranean network of sewage pipes". To date, games in the Mario Bros. franchise have been released for more than a dozen platforms.[18] Shortly after, Miyamoto also worked the character sprites and game design for the Baseball, Tennis, and Golf games on the NES.[19]

1985–1989: NES/Famicom, Super Mario Bros., and The Legend of Zelda

1983 game industry crash
.

As Nintendo released its first home video game console, the Family Computer (rereleased in North America as the Nintendo Entertainment System), Miyamoto made two of the most popular titles for the console and in the history of video games as a whole: Super Mario Bros. (a sequel to Mario Bros.) and The Legend of Zelda (an entirely original title).[20]

In both games, Miyamoto decided to focus more on gameplay than on high scores, unlike many games of the time.

side-scrolling racing game Excitebike (1984), and the 1985 NES port of side-scrolling beat 'em up Kung-Fu Master (1984).[23] This culminated in his concept of a platformer set in an expansive world that would have the player "strategize while scrolling sideways" over long distances, have aboveground and underground levels, and have colorful backgrounds rather than black backgrounds.[24]

By contrast, Miyamoto employed

Disk System peripheral.[26]

Miyamoto worked on various other different games for the Nintendo Entertainment System, including

Yume Kojo: Doki Doki Panic (Dream Factory: Heart-Pounding Panic), also designed by Miyamoto.[27] This game was reworked and released as Super Mario Bros. 2 (not to be confused with the Japanese game of the same name) in North America and Europe. The Japanese version of Super Mario Bros. 2 was eventually released in North America as Super Mario Bros.: The Lost Levels.[28]

The successor to The Legend of Zelda,

platforming elements to a considerable degree.[30]

Soon after, Super Mario Bros. 3 was developed by Nintendo Entertainment Analysis & Development; the game took more than two years to complete.[31] The game offers numerous modifications on the original Super Mario Bros., ranging from costumes with different abilities to new enemies.[31][32] Bowser's children were designed to be unique in appearance and personality; Miyamoto based the characters on seven of his programmers as a tribute to their work on the game.[31] The Koopalings' names were later altered to mimic names of well-known, Western musicians in the English localization.[31] In a first for the Mario series, the player navigates via two game screens: an overworld map and a level playfield. The overworld map displays an overhead representation of the current world and has several paths leading from the world's entrance to a castle. Moving the on-screen character to a certain tile will allow access to that level's playfield, a linear stage populated with obstacles and enemies. The majority of the game takes place in these levels.[21][22]

1990–2000: SNES, Nintendo 64, Super Mario 64, and Ocarina of Time

Miyamoto was responsible for the controller design of the Super Famicom/Nintendo. Its L/R buttons were an industry first and have since become commonplace.

A merger between Nintendo's various internal research and development teams led to the creation of Nintendo Entertainment Analysis & Development (Nintendo EAD), which Miyamoto eventually headed. Nintendo EAD had approximately fifteen months to develop F-Zero, a launch game for the Super Nintendo Entertainment System.[33] Miyamoto worked through various games on the Super Nintendo Entertainment System, one of them Star Fox. For the game, programmer Jez San convinced Nintendo to develop an upgrade for the Super Nintendo, allowing it to handle three-dimensional graphics better: the Super FX chip.[34][35] Using this new hardware, Miyamoto and Katsuya Eguchi designed the Star Fox game with an early implementation of three-dimensional graphics.[36]

Miyamoto produced two major Mario games for the system. The first,

Super Mario Bros. series.[38]

Miyamoto also created The Legend of Zelda: A Link to the Past for the Super Nintendo Entertainment System, the third entry in the series. Dropping the side-scrolling elements of its predecessor, A Link to the Past introduced to the series elements that are still commonplace today, such as the concept of an alternate or parallel world, the Master Sword, and other new weapons and items.[39][40]

Shigeru Miyamoto mentored

Pokémon Red and Blue), the initial video games in the Pokémon series. He also acted as the producer for these games and worked on social gameplay concepts such as trading.[41] Pokémon would go on to be one of the most popular entertainment franchises in the world, spanning video games, anime, and various other merchandise.[42]

Miyamoto made several games for the Nintendo 64, mostly from his previous franchises. His first game on the new system, and one of its launch games, is Super Mario 64, for which he was the principal director. In developing the game, he began with character design and the camera system. Miyamoto and the other designers were initially unsure of which direction the game should take, and spent months to select an appropriate camera view and layout.[43] The original concept involved a fixed path much like an isometric-type game, before the choice was made to settle on a free-roaming 3D design.[43] He guided the design of the Nintendo 64 controller in tandem with that of Super Mario 64.[43]

Using what he had learned about the Nintendo 64 from developing Super Mario 64 and Star Fox 64,[9] Miyamoto produced his next game, The Legend of Zelda: Ocarina of Time, leading a team of several directors.[44] Its engine was based on that of Super Mario 64 but was so heavily modified as to be a somewhat different engine. Individual parts of Ocarina of Time were handled by multiple directors—a new strategy for Nintendo EAD. However, when things progressed slower than expected, Miyamoto returned to the development team with a more central role assisted in public by interpreter Bill Trinen.[45] The team was new to 3D games, but assistant director Makoto Miyanaga recalls a sense of "passion for creating something new and unprecedented".[46] Miyamoto went on to produce a sequel to Ocarina of Time, known as The Legend of Zelda: Majora's Mask. By reusing the game engine and graphics from Ocarina of Time, a smaller team required only 18 months to finish Majora's Mask.[47]

Miyamoto worked on a variety of Mario series spin-offs for the Nintendo 64, including Mario Kart 64[48] and Mario Party.

2000–2011: GameCube, Wii, and DS

E3 2006

Miyamoto produced various games for the

E3 2001 with the GameCube console.[50] Miyamoto continued to make additional Mario spinoffs in these years. He also produced the 3D game series Metroid Prime, after the original designer Yokoi, a friend and mentor of Miyamoto's, died.[51] In this time he developed Pikmin and its sequel Pikmin 2, based on his experiences gardening.[3] He also worked on new games for the Star Fox, Donkey Kong, F-Zero, and The Legend of Zelda series on both the GameCube and the Game Boy Advance systems.[52][53][54] With the help of Hideo Kojima, he guided the developers of Metal Gear Solid: The Twin Snakes.[55] He helped with many games on the Nintendo DS, including the remake of Super Mario 64, titled Super Mario 64 DS, and the new game Nintendogs, a new franchise based on his own experiences with dogs.[56] At E3 2005, Miyamoto showed off Nintendogs with Tina Wood, where he promised to show her "a few more tricks" backstage.[57]

Miyamoto played a major role in the development of the Wii, a console that popularized motion control gaming, and its launch game Wii Sports, which helped show the capability of the new control scheme. Miyamoto went on to produce other titles in the Wii series, including Wii Fit. His inspiration for Wii Fit was to encourage conversation and family bonding.[3]

At

E3 2004, Miyamoto unveiled The Legend of Zelda: Twilight Princess, appearing dressed as the protagonist Link with a sword and shield. Also released for the GameCube, the game was among the Wii's launch games and the first in the Zelda series to implement motion controls. He also helped with The Legend of Zelda: Skyward Sword, which featured more accurate motion controls. He also produced two Zelda titles for the Nintendo DS, The Legend of Zelda: Phantom Hourglass and The Legend of Zelda: Spirit Tracks
. These were the first titles in the series to implement touch screen controls.

Miyamoto produced three major Mario titles for Wii from 2007 to 2010: Super Mario Galaxy,[58] New Super Mario Bros. Wii,[59] and Super Mario Galaxy 2.[60]

2011–present: Wii U, 3DS, Switch and other projects

Unlike in the 2000s in which he was involved on many projects as producer, Miyamoto's activities in development were less pronounced in that decade with Miyamoto only producing Luigi's Mansion: Dark Moon and Star Fox Zero.[61][62] Otherwise, Miyamoto was credited as General Producer, Executive Producer and Supervisor for most projects, which are positions with much less involvement in comparison to a producer.

Following the death of Nintendo president Satoru Iwata in July 2015, Miyamoto was appointed as an acting Representative Director, alongside Genyo Takeda.[63] He was relieved of this position in September 2015 when Tatsumi Kimishima assumed the role of the company's president. He was also appointed the position of "Creative Fellow" at the same time, providing expert advice to Kimishima as a "support network" alongside Takeda.[64] In his capacity as Creative Fellow, he provides feedback and guidance to game directors during development.[65][66]

In 2018, it was announced that Miyamoto would be working as a producer on The Super Mario Bros. Movie based on the Mario franchise by Illumination.[67]

Miyamoto was heavily involved with the design and construction of Super Nintendo World, a themed area featured at Universal Studios Japan and Universal Studios Hollywood and under construction at Universal Studios Singapore and Universal Epic Universe. Miyamoto oversaw the design and construction of the land and its attractions and acted as Nintendo's public representative on the land, hosting several promotional materials including a December 2020 Nintendo Direct in which he gave a tour of parts of the land.[68]

Development philosophy

People have paid me a lot of lip service, calling me a genius story teller or a talented animator, and have gone so far as to suggest that I try my hand at movies, since my style of game design is, in their words, quite similar to making movies. But I feel that I am not a movie maker, but rather that my strength lies in my pioneering spirit to make use of technology to create the best, interactive commodities possible, and use that interactivity to give users a game they can enjoy and play comfortably.

— Shigeru Miyamoto (translated)[11]

Miyamoto, and Nintendo as a whole, do not use focus groups. Instead, Miyamoto figures out if a game is fun for himself. He says that if he enjoys it, others will too.[3] He elaborates, citing the conception of the Pokémon series as an example, "And that's the point – Not to make something sell, something very popular, but to love something, and make something that we creators can love. It's the very core feeling we should have in making games."[69] Miyamoto wants players to experience kyokan; he wants "the players to feel about the game what the developers felt themselves."[3]

He then tests it with friends and family. He encourages younger developers to consider people who are new to gaming, for example by having them switch their dominant hand with their other hand to feel the experience of an unfamiliar game.[3]

Miyamoto's philosophy does not focus on hyper-realistic graphics, although he realizes they have their place. He is more focused on the game mechanics, such as the choices and challenges in the game.[3] Similar to how manga artists subverted their genre, Miyamoto hopes to subvert some of the basic principles he had popularized in his early games, retaining some elements but eliminating others.[3]

His game design philosophy typically prioritizes gameplay over storytelling. In a 1992 interview, he said "the important thing is that it feels good when you're playing it" and "that quality is not determined by the story, but by the controls, the sound, and the rhythm and pacing". However, he requires a "compatibility [between] the story and gameplay [because] a good story can smooth over that discrepancy and make it all feel natural".[70]

His use of real-time rendered cinematics (not prerendered video) serves both his own rapidly interactive development process with no rendering delays, and the player's interaction with the game's continuity. He prefers to change his games right until they are finalized, and to make "something unique and unprecedented". He prefers the game to be interactively fun rather than have elaborate film sequences, stating in 1999, "I will never make movie-like games";[69] therefore, the more than 90 total minutes of short cutscenes interspersed throughout Ocarina of Time[11] deliver more interactive cinematic qualities.[69][71] His vision mandates a rapid and malleable development process with small teams, as when he directed substantial changes to the overall game scenario in the final months of the development of Ocarina of Time. He said, "The reason behind using such a simple process, as I am sure you have all experienced in the workshop, is that there is a total limit on team energy. There is a limit to the work a team can do, and there is a limit to my own energy. We opted not to use that limited time and energy on pre-rendered images for use in cinema scenes, but rather on tests on other inter-active elements and polishing up the game".[11]

For these reasons, he opposes prerendered cutscenes.[11][9][69] Of Ocarina of Time, he says "we were able to make use of truly cinematic methods with our camera work without relying on [prerendered video]."[11]

Miyamoto has occasionally been critical of the

action games are better suited in conveying".[70] In 2003, he described his "fundamental dislike" of the RPG genre: "I think that with an RPG you are completely bound hand and foot, and can't move. But gradually you become able to move your hands and legs... you become slightly untied. And in the end, you feel powerful. So what you get out of an RPG is a feeling of happiness. But I don't think they're something that's fundamentally fun to play. With a game like that, anyone can become really good at it. With Mario though, if you're not good at it, you may never get good."[72] While critical of the RPG gameplay system,[72] he has occasionally praised certain aspects of RPGs, such as Yuji Horii's writing in the Dragon Quest series, the "interactive cinematic approach" of the Final Fantasy series,[70] and Shigesato Itoi's dialogue in the Mother series.[72]

Impact

Takashi Tezuka, Miyamoto, and Koji Kondo, 2015

Time called Miyamoto "the Spielberg of video games"[73] and "the father of modern video games,"[10] while The Daily Telegraph says he is "regarded by many as possibly the most important game designer of all time."[74] GameTrailers called him "the most influential game creator in history."[75] Miyamoto has significantly influenced various aspects of the medium. The Daily Telegraph credited him with creating "some of the most innovative, ground breaking and successful work in his field."[74] Many of Miyamoto's works have pioneered new video game concepts or refined existing ones. Miyamoto's games have received outstanding critical praise, some being considered the greatest games of all time.

Miyamoto's games have also sold very well, becoming some of the bestselling games on Nintendo consoles and of all time. As of 1999, his games had sold 250 million units and grossed billions of dollars.[74]

Calling him one of the few "video-game auteurs," The New Yorker credited Miyamoto's role in creating the franchises that drove console sales, as well as designing the consoles themselves. They described Miyamoto as Nintendo's "guiding spirit, its meal ticket, and its playful public face," noting that Nintendo might not exist without him.[3] The Daily Telegraph similarly attributed Nintendo's success to Miyamoto more than any other person.[74] Next Generation listed him in their "75 Most Important People in the Games Industry of 1995", elaborating that, "He's the most successful game developer in history. He has a unique and brilliant mind as well as an unparalleled grasp of what gamers want to play."[76]

Industry

Miyamoto's first major arcade hit Donkey Kong was highly influential. It spawned a number of other games with a mix of running, jumping, and vertical traversal.

cutscenes, but Donkey Kong combines both to introduce the use of cutscenes to visually advance a complete story.[79] It has multiple, distinct levels that progress the storyline.[80][79] Computer and Video Games called Donkey Kong "the most momentous" release of 1981.[81]

Miyamoto's best known and most influential game, Super Mario Bros., "depending on your point of view, created an industry or resuscitated a comatose one".

North American video game crash of 1983.[82] The game also popularized the side-scrolling video game genre. The New Yorker described Mario as the first folk hero of video games, with as much influence as Mickey Mouse.[3]

GameSpot featured The Legend of Zelda as one of the 15 most influential games of all time, for being an early example of open world, nonlinear gameplay, and for its introduction of battery backup saving, laying the foundations for later action-adventure games like Metroid and role-playing video games like Final Fantasy, while influencing most modern games in general.[83] In 2009, Game Informer called The Legend of Zelda "no less than the greatest game of all time" on their list of "The Top 200 Games of All Time", saying that it was "ahead of its time by years if not decades".[84]

At the time of the release of

Super Smash Bros.
series.

His game Super Mario 64 defined the field of 3D game design, particularly with its use of a dynamic camera system and the implementation of its analog control.[86][87][88] The Legend of Zelda: Ocarina of Time's gameplay system introduced features such as a target lock system and context-sensitive buttons that have since become common elements in 3D adventure games.[89][90]

The Wii, which Miyamoto played a major role in designing, is the first wireless motion-controlled video game console.[3]

Critical reception

Miyamoto's games have received outstanding critical praise, and are widely considered among the greatest of all time.[3]

Games in Miyamoto's The Legend of Zelda series have received outstanding critical acclaim.

GamesRadar, and GameSpy.[97][98][99][100][101]

Critical analysis of Super Mario Bros. has been extremely positive, with many touting it as one of the best video games of all time.[102] In 2009, Game Informer put Super Mario Bros. in second place on its list of "The Top 200 Games of All Time", behind The Legend of Zelda, saying that it "remains a monument to brilliant design and fun gameplay".[84]

Super Mario 64 is acclaimed by many critics and fans as one of the greatest and most revolutionary video games of all time.[103][104][105][106][107][108]

According to Metacritic, Super Mario Galaxy and Super Mario Galaxy 2 are the highest- and second-highest-rated games, respectively, for the Wii.[96]

A 1995 article in Maximum stated that "in gaming circles Miyamoto's name carries far more weight than Steven Spielberg's could ever sustain."[109]

Commercial reception

More than 1 billion copies of games featuring franchises created by Miyamoto have been sold.[110]

Miyamoto's Mario series is, by far, the

best-selling video game in the United States with six million copies sold.[117] By June 2007, Super Mario 64 had become the second most popular game on Wii's Virtual Console, behind Super Mario Bros.[118] Super Mario Sunshine is the third best-selling GameCube game.[119]

The original game in The Legend of Zelda series is the fifth-bestselling game for the Nintendo Entertainment System.

PAL region, which covers most of Asia, Africa, South America, Australia, New Zealand, and most of Western Europe, Twilight Princess is the bestselling Zelda game ever. During its first week, the game was sold with three out of every four Wii purchases.[120] The game had sold 4.52 million copies on the Wii as of March 1, 2008,[121] and 1.32 million on the GameCube as of March 31, 2007.[122]

The Mario Kart series is currently the most successful racing game franchise of all time. Mario Kart titles tend to be among the bestselling games for their respective consoles; Super Mario Kart is the third bestselling video game for the Super Nintendo Entertainment System, Mario Kart 64 is the second bestselling Nintendo 64 game, Mario Kart: Double Dash is the second bestselling game for the GameCube,[119] and Mario Kart Wii is the second bestselling game for the Wii.

Miyamoto produced Wii Sports, another of the bestselling games of all time and part of the Wii series. Wii Fit designed by Miyamoto, was the third best selling console game not packaged with a console, with 22.67 million copies sold.[123]

Outside of video games, Miyamoto produced The Super Mario Bros. Movie, which ended up becoming the third-highest-grossing animated movie of all time, grossing $1.347 billion worldwide during its theatrical run as of July 14, 2023. It is also the highest-grossing film based on a video game (or video game series) by a huge margin, making it a huge statistical outlier; for context, the second-highest-grossing film based on a video game is Warcraft (2016), which grossed $900 million less, for a total of about $439 million.

Awards and recognition

[Miyamoto] approaches the games playfully, which seems kind of obvious, but most people don't. And he approaches things from the players' point of view, which is part of his magic.

— Will Wright, The New Yorker[3]

The name of the main character of the PC game

Pokémon anime series is named Shigeru in Japan and is the rival of Ash Ketchum (called Satoshi in Japan). Pokémon creator Satoshi Tajiri
was mentored by Miyamoto.

In 1998, Miyamoto was honored as the first person inducted into the

Academy of Interactive Arts and Sciences' Hall of Fame.[125] In 2006, Miyamoto was made a Chevalier (knight) of the French Ordre des Arts et des Lettres by the French Minister of Culture Renaud Donnedieu de Vabres.[126]

On November 28, 2006, Miyamoto was featured in TIME Asia's "60 Years of Asian Heroes".[127] He was later chosen as one of Time Magazine's 100 Most Influential People of the Year in both 2007[128] and also in 2008, in which he topped the list with a total vote of 1,766,424.[129] At the Game Developers Choice Awards, on March 7, 2007, Miyamoto received the Lifetime Achievement Award "for a career that spans the creation of Super Mario Bros. and The Legend of Zelda, and Donkey Kong to the company's recent revolutionary systems, Nintendo DS and Wii."[130] GameTrailers and IGN placed Miyamoto first on their lists for the "Top Ten Game Creators" and the "Top 100 Game Creators of All Time" respectively.[131][132]

In a survey of game developers by industry publication

British Academy Video Games Awards on March 19, 2010.[135] In 2012, Miyamoto was also the first interactive creator to be awarded the highest recognition in Spain, the Prince of Asturias Award, in the category of Communications and Humanities.[136][137]

Miyamoto was awarded Japan's Person of Cultural Merit in 2019 in recognition for his contributions towards Japan's video game industry.[138] He was the first person in the video game industry to receive the honor.[139]

Personal life

Miyamoto is married to Yasuko, and they have two children. In 2010, his son was 25 and working at an advertising agency, while his daughter was 23 and studying zoology at the time. His children played video games in their youth, but he also made them go outside. Although he can speak some English, he is not fluent and prefers to speak in Japanese for interviews.[3]

Miyamoto does not generally sign autographs, out of concern that he would be inundated. He also does not appear on Japanese television, so as to minimize his chance of being recognized. More foreign tourists than Japanese people approach him.[3]

Miyamoto spends little time playing video games in his personal time, preferring to play the guitar, mandolin, and banjo.[140] He avidly enjoys bluegrass music.[3] Miyamoto said in a 2016 interview that when he had his own family he took up gardening with his wife, which influenced other games that he was making at the time.[141] He has a Shetland Sheepdog named Pikku that provided the inspiration for Nintendogs.[142] He is also a semi-professional dog breeder.[143]

He has been quoted as stating, "Video games are bad for you? That's what they said about rock and roll."[144] Another quote that he was known to have alleged said was "a delayed game is eventually good, but a rushed game is forever bad." In 2023, fans deduced that it was taken from a quote by Siobhan Beeman, who worked on the Wing Commander franchise at Origin Systems. She first uttered the phrase at GDC in 1996, or something close to it, “A game’s only late until it ships, but it sucks forever.” It somehow was misconstrued as a Miyamoto quote, circulating on the Internet for many years.[145][146][147]

Miyamoto enjoys

measuring tape with him everywhere.[148] In December 2016, Miyamoto showcased his hobby on The Tonight Show Starring Jimmy Fallon, while also performing the Super Mario Bros. theme on guitar with The Roots during the same show.[149][150]

Selected works

Year Game title Role
1979 Sheriff Graphic designer[151]
1980 Space Firebird
1981
Donkey Kong
 Director, game designer[152][153]
Sky Skipper Graphic designer[154]
1982 Donkey Kong Jr. Director, game designer[153][155]
Popeye Game designer[153][151]
1983 Mario Bros. Director, game designer[153][156][157]
Donkey Kong 3
Baseball Game designer[158]
1984 Tennis
Wild Gunman Director, game designer[159]
Duck Hunt
Golf Game designer[158]
Hogan's Alley Director, game designer[159]
Devil World
Excitebike
1985 Kung Fu
Super Mario Bros. Director, producer, game designer[153]
1986 The Legend of Zelda
Super Mario Bros.: The Lost Levels Director, producer[153][160]
1987 Zelda II: The Adventure of Link Producer[161][162]
Yume Kōjō: Doki Doki Panic[a]
1988 Super Mario Bros. 3 Director, producer, game designer[153][163]
1989 Mother Producer
1990 Super Mario World
F-Zero Producer, game designer
1991 The Legend of Zelda: A Link to the Past Producer
1992 Wave Race
Super Mario Kart
1993 Star Fox Producer, game designer[164]
Kirby's Adventure Producer
The Legend of Zelda: Link's Awakening
1994 Donkey Kong
Kirby's Dream Course
1995 Kirby's Dream Land 2
Yoshi's Island
BS Zelda no Densetsu
 Designer[165]
1996
Pokémon Red and Blue
 Producer[166][167]
Super Mario RPG
Kirby Super Star
Super Mario 64 Director, producer[153][168]
Wave Race 64 Producer[169]
Mario Kart 64
1997 Star Fox 64 Producer, game designer[164]
1998 F-Zero X Producer
The Legend of Zelda: Ocarina of Time Producer, supervisor[170]
1999 Super Smash Bros. Producer[171][172]
Pokémon Snap
2000 The Legend of Zelda: Majora's Mask Producer, supervisor[173]
Paper Mario Producer
Pokémon Crystal
2001 Luigi's Mansion Producer, original concept[174][175]
Pikmin
Super Smash Bros. Melee Producer[176][177][178][179]
2002 Super Mario Sunshine
Star Fox Adventures
Metroid Prime
The Legend of Zelda: Four Swords
 		General producer
The Legend of Zelda: The Wind Waker Producer
2003 Kirby Air Ride
F-Zero GX
Mario Kart: Double Dash
Mario & Luigi: Superstar Saga
2004 The Legend of Zelda: Four Swords Adventures
Pikmin 2
Paper Mario: The Thousand-Year Door
Donkey Kong Jungle Beat General producer
2005 Star Fox: Assault Producer
Nintendogs General producer, original concept[180]
2006 The Legend of Zelda: Twilight Princess Producer[181]
Wii Sports General producer[182]
2007 Super Mario Galaxy Producer, game design concept[183]
Wii Fit Designer, general producer[184][185]
2010 Super Mario Galaxy 2 General producer[186][187]
2011 The Legend of Zelda: Skyward Sword
Steel Diver Designer, general producer[188]
2013 Pikmin 3 General producer[189][190][191]
Super Mario 3D World
The Legend of Zelda: A Link Between Worlds
2015 Super Mario Maker General producer, original concept[192]
2016 Star Fox Zero Supervising director, producer[193]
Super Mario Run Director, producer[194]
2017 The Legend of Zelda: Breath of the Wild General producer[195]
Super Mario Odyssey Executive producer[196]
2021 Super Nintendo World Creative director[197]
2023 The Super Mario Bros. Movie Producer[67]
The Legend of Zelda: Tears of the Kingdom General producer[198]
Pikmin 4
TBA
Untitled The Legend of Zelda film
 Producer[199]

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External links

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