Sringara
This article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and when to remove these template messages)
|
Indian arts including theatre, music, dance, poetry, and sculpture. Much of the content of traditional Indian arts revolves around the relationship between a man and a woman. The primary emotion thus generated is Sringara. The romantic relationship between lover and beloved is a metaphor for the relationship between the individual and the divine
.
Classical theater/dancers (i.e.
Odissi, Mohiniyattam
) refer to Sringara as 'the Mother of all rasas.' Sringara gives scope for a myriad of other emotions including jealousy, fear, anger, compassion, and of course for the expression of physical intimacy. No other Rasa has such a vast scope.
The treatment and performance of Sringara varies on a large scale from the grotesque (as in Koodiyattam) to very refined and subtle (as in some styles of Bharatanatyam, or in Odissi).
The attraction between lover and beloved is a metaphor for the relationship between the individual and the divine, the Nara-Narayana relationship. Natya Shastra lists Vishnu as the presiding deity of the Sringara rasa.
See also
- Natyakalpadrumam
- Kutiyattam
- Mohiniyattam
- Māni Mādhava Chākyār
External links
- Sringara - a Knol article elaborating on the subject