Tarang (film)
Tarang तरंग | |
---|---|
Cinematography | K. K. Mahajan |
Edited by | Ashok Tyagi |
Music by | Vanraj Bhatia |
Distributed by | National Film Development Corporation (NFDC) |
Release date |
|
Running time | 171 minutes |
Country | India |
Language | Hindi |
Tarang (Hindi: तरंग "wave") English title Wages and Profits, is a 1984 Indian Hindi-language
Synopsis
Sethji (Shreeram Lagoo) is a widowed businessman who lives a comfortable life with his only daughter, Hansa, his son-in-law, Rahul (Amol Palekar), and a grandson, Munna. Rahul is Sethji's right-hand man, and his nephew Dinesh (Girish Karnad) is his assistant. Over time, petty rivalries and jealousies have grown in the family, and Sethji and Rahul feel that Dinesh is trying to undermine the business. They make a plan to get rid of him without attracting any attention to themselves and succeed, but the after-effects are not kind towards Sethji's health, which grows worse eventually leading to his untimely death. Shortly thereafter, Hansa also dies, leaving her husband Rahul to look after the business on his own. Things start to turn controversial once Rahul begins an affair with the maidservant Janki (Smita Patil), and it is soon revealed that Hansa's death may not have been a suicide, but was a cover-up. As the mysteries start to unfold, they leave a scarring emotional impact on Rahul, and test his relationship with his late wife's family and his new lover.[3]
Music
Music is composed by Vanraj Bhatia with lyrics by Raghuveer Sahay.
- "Barse Ghan Saari Raat" - Lata Mangeshkar
- "Tarang Tarang" - Asha Bhosle
Analysis and criticism
Unlike Maya Darpan, Tarang is considered to be uncharacteristically traditional and conventional for a Kumar Shahani film. Its storyline follows a typical arch, and the film also features several song sequences, considered normal for mainstream
The Seventh Art film blog reviewed the film positively stating, "A staunch
Film blog The Case for Global Film, in a piece of Indian Parallel Cinema stated that "Kumar Shahni felt while making Tarang, It is a pity that societies tend to make museum pieces of art when, in fact, the need for it is as natural and as instinctive in people as eating and drinking. That is probably why Tarang comes through to the discerning viewer as a moving experience, even if he is completely unaware of the intricacies of Shahani’s personal imagination."[6]
See also
- Parallel Cinema
- Maya Darpan
- Kumar Shahani
References
- ^ "Tarang". MUBI.
- ^ "Tarang IMDb Page". IMDb.
- ^ "Tarang IMDb Page". IMDb.
- ^ "Interview with Kumar Shahani". Projectorhead Film Magazine.
- ^ "Tarang Review". The Seventh Art.
- ^ "Indian Parallel Cinema". The Case for Global Film. 10 October 2008.
External links
- Tarang at IMDb