There's No Business Like Show Business (film)
Irving Berlin's There's No Business Like Show Business | |
---|---|
Directed by | Walter Lang |
Screenplay by | |
Story by | Lamar Trotti |
Produced by | Sol C. Siegel |
Starring | |
Cinematography | 20th Century Fox |
Distributed by | 20th Century Fox |
Release date |
|
Running time | 117 minutes |
Country | United States |
Language | English |
Budget | $4.3 million[1][2] |
Box office | $5.1 million (domestic)[3] $2 million (foreign estimate)[2] |
Irving Berlin's There's No Business Like Show Business is a 1954 American
The title is borrowed from the
O'Connor later called the film the best picture he ever made.[6]
Plot
The story opens in 1919 and chronicles the ups and downs in the careers of Terence and Molly Donahue, a husband-and-wife vaudeville team. Throughout the years, the Donahues reconcile a stable family life with professional success. Their children, Steve, Katy, and Tim, join the act one by one, and they eventually become known as The Five Donahues. However, as the children mature, they answer other callings. Steve, for example, enrolls in a Catholic seminary for training as a priest. Later, Tim falls in love with a successful performer, Vicky Parker, and he and sister Katy consent to join her act as supporting players. However, Tim and Vicky experience a falling out, and he abandons the act. Despite efforts by the family to locate him, Tim's whereabouts remain a mystery.
Meanwhile, Katy begins dating Charlie Gibbs, the show's tall and spare lyricist, and they are eventually married—in a ceremony ministered by Steve who has just been ordained a priest. Thus, the Five Donahues are no more, until months later at a benefit on the closing night of the famed Hippodrome Theatre in New York. As Molly sings the film's title song for the sellout crowd, Steve arrives backstage unexpectedly, followed by Tim, in the uniform of a U.S. sailor. There, he reconciles with Vicky and his family, and for the first time in years, the Five Donahues reunite for the film's elaborate finale.
Cast
- Ethel Merman as Molly Donahue
- Donald O'Connor as Tim Donahue
- Marilyn Monroe as Victoria Parker
- Dan Dailey as Terence Donahue
- Johnnie Ray as Steve Donahue
- Mitzi Gaynor as Katy Donahue
- Richard Eastham as Lew Harris
- Hugh O'Brian as Charles Gibbs
- Frank McHugh as Eddie Dugan
- Rhys Williamsas Father Dineen
- Lee Patrick as Marge
- Eve Miller as hatcheck girl
- Robin Raymond as Lilliam Sawyer
Soundtrack
All songs written by Irving Berlin.[7]
Song | Performer(s)[8] | Note(s) |
---|---|---|
"When the Midnight Choo-Choo Leaves for Alabam'" | Sung by Ethel Merman and Dan Dailey | Later performed by Mitzi Gaynor and Donald O'Connor |
"Play a Simple Melody" | Sung by Ethel Merman and Dan Dailey | – |
"A Pretty Girl Is Like a Melody" | Sung by Ethel Merman with Dan Dailey Danced by Dan Dailey |
– |
"You'd Be Surprised" | Dan Dailey | – |
"Let's Have Another Cup of Coffee" | Sung by Ethel Merman | – |
"Alexander's Ragtime Band" | The cast | Later sung by Ethel Merman, Dan Dailey, Donald O'Connor, Mitzi Gaynor and Johnnie Ray |
"Puttin' On the Ritz" | – | Instrumental performed by the nightclub orchestra |
"After You Get What You Want You Don't Want It" | Marilyn Monroe | – |
" Remember "
|
Sung by the cast | Later sung by Ethel Merman and Dan Dailey |
"If You Believe" | Sung by Johnnie Ray | – |
"Heat Wave" | Marilyn Monroe | – |
"A Man Chases a Girl (Until She Catches Him)" | Sung by Donald O'Connor and Marilyn Monroe Danced by Donald O'Connor |
– |
"Lazy" | Marilyn Monroe, Mitzi Gaynor and Donald O'Connor | – |
"A Sailor's Not a Sailor ('Til a Sailor's Been Tattooed)" | Sung by Ethel Merman and Mitzi Gaynor | – |
"Marie" | Performed by an uncredited male trio on a nightclub's stage when the family is searching for Tim | – |
"There's No Business Like Show Business" | Ethel Merman | Later sung by the cast |
Production
In the months before the filming of the movie,
Ethel Merman had first sung "There's No Business Like Show Business" in the original Broadway production of Annie Get Your Gun in 1946 and would go on to sing it again in the 1967 television broadcast of the subsequent Lincoln Center revival of that musical comedy.[10]
Release and reception
To publicize the film, Monroe wore a black cotton
Ed Sullivan described Monroe's performance of the song "Heat Wave" as "one of the most flagrant violations of good taste" he had witnessed.[12] Time magazine compared her unfavorably to co-star Ethel Merman. Bosley Crowther in The New York Times called the film a "major success" in a generally favorable review, praising in particular Donald O'Connor's performance, but said that Mitzi Gaynor had surpassed Monroe's "wriggling and squirming" which were "embarrassing to behold."[13] Donald O'Connor drew unfavorable reviews for his "over-acting" and "uncanny flirting" with Monroe on-screen. Dan Dailey and Johnnie Ray favored better among critics, although reviewers stated their performances were "below average".
Despite boasting a lavish production, Irving Berlin's There's No Business Like Show Business eventually became both a critical and box office failure. The film's budget was $4,340,000.[1] Excessive at the time for a movie filmed entirely on a studio lot in Los Angeles, the expenses were mainly due to delays in production, the lavish musical numbers and a running time that was at least 15 minutes longer than most other Hollywood musicals. The film made just $5,103,555 at the North American box office.[3] Musicals at the time did less well overseas and it was estimated it would only earn $2 million outside the US and Canada.[2] 20th Century Fox officials were disappointed.
According to records, Fox was expecting a profit of $2 million, but ran a loss of almost $950,000. It is also significant that Johnnie Ray never worked again for 20th Century Fox or appeared in another motion picture made by any major movie studio in the United States or another country, though his music developed a stronger following overseas than in the United States.
The film's TV premiere occurred October 28, 1961, on
The movie's release to the home video market in the early 1990s solved the problem of commercial interruptions and improved its profits and reputation considerably. The issue of the aspect ratio of CinemaScope remained, however. A DVD release in 2001 included letterboxing and 4-channel surround sound, thereby eliminating the bad aspect ratio and introducing the movie to younger generations. It has received favorable reviews from critics and fans.
Awards and honors
Date of ceremony | Award | Category | Recipients and nominees | Result |
---|---|---|---|---|
February 25, 1955[14]
|
Writers Guild of America Awards
|
Best Written Musical
|
Phoebe Ephron, Henry Ephron | Nominated |
March 30, 1955[15] | Academy Awards | Best Original Score – Musical | Alfred Newman, Lionel Newman |
Nominated |
Best Story | Lamar Trotti (posthumous nomination) |
Nominated | ||
Best Costume Design – Color | Charles LeMaire, Travilla, Miles White | Nominated |
The film is recognized by American Film Institute in these lists:
- 2006: AFI's Greatest Movie Musicals – Nominated[16]
References
- ^ ISBN 9780810842441. Retrieved November 6, 2014.
- ^ a b c "20th Blessing". Variety. 9 November 1955. p. 20.
- ^ a b Cohn, Lawrence (October 15, 1990). "All-Time Film Rental Champs". Variety. pp. M140–M196.
- ^ "There's No Business Like Show Business (1954): Full Cast & Crew – Writing Credits". IMDb. Retrieved November 6, 2014.
- ^ "There's No Business Like Show Business (1955): Overview – Synopsis". AllMovie. Retrieved November 6, 2014.
- ^ Aloff, Mindy (October 13, 2003) [1979]. "Remembering a Hoofer: An Interview with Donald O'Connor". The DanceView Times. Retrieved November 10, 2018.
- ^ "There's No Business Like Show Business (1954): Soundtracks". IMDb. Retrieved November 7, 2014.
- ISBN 9780786470860.
- Amazon.com. Retrieved November 6, 2014.
- Amazon.com. Retrieved November 6, 2014.
- ^ The Hollywood Reporter. Vol. 317. Indiana University: Wilkerson Daily Corporation. 1991. p. 3. Retrieved November 6, 2014.
- ISBN 9780786466375. Retrieved November 6, 2014.
- ^ Crowther, Bosley (December 17, 1954). "There's No Business Like Show Business (1954): There's No Business,' Etc.; And Musical at the Roxy Sets Out to Prove It". The New York Times. Retrieved November 6, 2014.
- ^ "Writers Guild of America, USA: Awards for 1955 – Best Written American Musical: Nominees". IMDb. Retrieved November 11, 2014.
- ^ "Oscars Ceremonies: The 27th Academy Awards – 1955: Winners & Nominees". Oscars. Retrieved November 11, 2014.
- ^ "AFI's Greatest Movie Musicals Nominees" (PDF). American Film Institute. Retrieved August 13, 2016.