Univers
Zurich |
Univers (French pronunciation:
Univers was one of the first typeface families to fulfil the idea that a typeface should form a family of consistent, related designs. Past sans-serif designs such as Gill Sans had much greater differences between weights, while loose families such as American Type Founders' Franklin Gothic family often were advertised under different names for each style, to emphasise that they were not completely matching. By creating a matched range of styles and weights, Univers allowed documents to be created in one consistent typeface for all text, making it easier to artistically set documents in sans-serif type. This matched the desire among practitioners of the "Swiss style" of typography for neutral sans-serif typefaces avoiding artistic excesses.
The design concept of Univers was intended to take advantage of the new technology of
Characteristics
Some of these old sans serifs have had a real renaissance within the last twenty years, once the reaction of the 'New Objectivity' had been overcome. A purely geometrical form of type is unsustainable.
Frutiger in 1961, explaining why his design had rejected the geometric sans-serif design trend popular from the 1920s to the 1950s.[5]
Univers is one of a group of
Univers was released after a long period in which geometric typefaces such as Futura had been popular. Frutiger disliked purely geometric designs, finding them too rigid, following a common school of thought among Swiss designers of the period. While studying at the Kunstgewerbeschule (Arts and Crafts School) in Zürich, he had begun to sketch a revived grotesque family based on 19th-century grotesques, at the time considered antiquated outside Switzerland. He described Univers in 1998 as having a 'visual sensitivity between thick and thin' strokes, avoiding perfect geometry.[7]
Different weights and variations within the type family are designated by the use of numbers rather than names, a system since adopted by Frutiger for other type designs. Frutiger envisioned a large family with multiple widths and weights that maintained a unified design idiom. However, the actual typeface names within Univers family include both number and letter suffixes. The design, with a working title of Monde,[5] was developed from 1953 to a final release in 1957.
Like most grotesque and neo-grotesque sans-serifs, Univers's slanted form is an oblique, in which the letterforms are slanted, with minor corrections but no other major alterations. This is different from a true italic, in which the letterforms become modified to resemble handwriting more.[8] In the original design, Frutiger chose obliques with the extremely aggressive slant of sixteen degrees, which was reduced to twelve in some later releases. Linotype Univers (below) returns to the original angle.
Frutiger's original ampersand was a true 'et' ligature, similar to that in Trebuchet among others. Frutiger later provided an alternative for non French-speaking countries in which the form might be less familiar.[9][10]
The Deberny & Peignot library was acquired in 1972 by
Comparison with Akzidenz-Grotesk, Folio, and Helvetica
Univers is similar in design to other European grotesque fonts, of which Akzidenz-Grotesk, Folio, and Helvetica are among the most common. Differences include:
- The tail of 'a' and the top of '1' are much less rounded.
- Upper-case 'G' is formed without an arrow head (called a spur).
- Both arms of 'K' join at the stem.
- The tail of 'Q' runs along the baseline.
- The tail of 'R' is curved (compared with Akzidenz-Grotesk).
- The top of 't' is angled.
- The dot of the 'i' is not square but a rectangle.
- Lower-case 'y' has a straight descender.
- Many of the numerals in Univers have straight vs. curved ascenders
- Helvetica tends to have a slightly greater x-height than Univers
- Univers generally has quite a wide spacing between letters, and its low x-height gives it a more low-slung, splayed appearance than Helvetica, especially in bold.
Frutiger himself has commented: "Helvetica is the jeans, and Univers the dinner jacket."
Usage
Univers enjoyed great popularity in the 1960s and 1970s because many corporations adopted it for usage. It is used in a modified version by the new Swiss International Air Lines (previously, Swissair used the typeface Futura), Deutsche Bank and for signage all over the world. It was also adopted by the 1972 Summer Olympics organizers for its image and emblem also in 1976 Summer Olympics. General Electric used the font from 1986 to 2004 before switching to GE Inspira.[17] Apple Inc. previously used this typeface as well as its condensed oblique variant for the keycaps on many of its keyboards, before completely switching to VAG Rounded in August 2007 with the introduction of new keyboards and the new iMac (their notebook computers already featured that typeface since 1999). Munich Re used a custom version of Univers until 2009.[18] Telecom Australia and Australia Post also used the typeface in the 1970s and 1980s.
Almost all Canada Vignettes titles were shown in Univers; as were the credits for the original One Day at a Time, the Danger Man title sequences (except the first season), and the closing credits for Speed Buggy, The Brady Bunch and The Love Boat.
The
Univers is used as an official logo in lowercase for UNICEF since 2003.[20]
Univers was used for George W. Bush's campaign logos in both 2000 and 2004. Bush's 2000 campaign logo was set in Univers 85 Extra Black, while the 2004 campaign logo used Univers 85 Extra Black Oblique (slanted).
Univers is currently used for the user interface on Sony's imaging products (Cyber-shot, Handycam) since 2007.
Audi Sans is a variant based on Univers,[21] designed by Ole Schäfer.[22] It became Audi's corporate identity font in the 1990s[23] when Audi contracted MetaDesign to support Audi's brand management strategy.[24] The font was used extensively by Audi, appearing in sales literature, corporate communications, owners' documentation and even on the vehicles themselves in the instrument panel graphics and their MMI dashboard displays.
Both the current and the former eBay logo are set in Univers.[25]
The logo of MGA Entertainment line of toys on television shows also uses Univers.[citation needed]
Until 2020, stations owned by Fox Television Stations used Univers in their graphics.
It has also been confirmed that a modified version of a thick Univers font (known as Universe Extra Black) has been used in the logo for WGBH-TV ever since 1974, as well as WGBY-TV and WGBX-TV, affiliates of WGBH.[citation needed]
The Frutiger numbering system
Adrian Frutiger designed his unique classification system to eliminate naming and specifying confusion. It was first used with Univers, and was adopted for use in the
The number used in a font is a concatenation of two numbers. The first digit defines weight, while the second defines width and whether it is oblique or not.
Number | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 |
---|---|---|---|---|---|---|---|---|---|---|
Weight | - | Ultra Light | Thin | Light | Normal, Roman, or Regular | Medium | Bold | Heavy | Black | Ultra or Extra Black |
Width and position | Ultra Extended | Ultra Extended Oblique | Extended | Extended Oblique | Normal | Oblique | Condensed | Condensed Oblique | Ultra Condensed | - |
(note: oblique is not strict italic)
As an example, the number 56 denotes the normal weight (a first digit of 5) and an oblique style with the normal width (a second digit of 6).
Due to some typeface manufacturers’ failure to understand and implement the system correctly, however, things have actually become more confusing. To further complicate matters, the numbering system is not consistently applied to the Univers font family. In older publications, all oblique fonts have even-numbered 2nd values; but in digital versions, both odd and even 2nd values have been used on oblique fonts, but not in all font formats or weights. For example, Univers 55 Roman Oblique has both Windows menu names and PostScript full names as Univers LT 55 Oblique and Univers 56 Oblique, but only for the Windows PostScript version of the font; however, in Univers 85 Extra Black Oblique, there is no font named Univers 86 in any format. Nevertheless, oblique Univers fonts always have even-numbered 2nd value.
Inconsistent usage aside, the syntax of 2nd value is also inconsistent with 1st value. Bigger 1st value implies the glyph of a given character uses more horizontal space, but it has opposite meaning in 2nd value.
Linotype numbering system
In Linotype Univers and Univers Next font family, a 3-number system is used. First numeral describes font weight, second numeral describes font width, third numeral describes position.[26]
Number | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 |
---|---|---|---|---|---|---|---|---|---|---|
Weight | - | Ultra Light | Thin | Light | Regular | Medium | Bold | Heavy | Black | Extra Black |
Width | - | Compressed | Condensed | Basic | Extended | - | - | - | - | - |
Position | Roman | Italic | - | - | - | - | - | - | - | - |
Unlike the original Univers, tilted fonts in Linotype Univers and derivative font families have not been named 'oblique'.
Releases
Versions of Univers have been released for almost every major typesetting system, including versions for a wide range of writing systems and with additional features such as
Although Univers was originally conceived to take advantage of the cost-saving properties of phototypesetting (Deberny & Peignot, hoping to leapfrog their competitors by taking full advantage of the new technology, advertised their Lumitype glass master discs as each replacing three tons of brass matrices[27][28]), Deberny & Peignot arranged licensing deals with type foundries such as Monotype for wider release.[29] Univers was quite successful in metal type, with several weights among Monotype's best-selling of all time despite being released at the very end of the metal type era, although Frutiger felt that the Monotype version, which some later versions copied, was limited by the antiquated Monotype technical system.[30]
Pre-digital versions
Frutiger (with Howard "Bud" Kettler) adapted Univers for the
Several pirate versions of Univers have been released taking advantage of the lack of copyright protection of typeface designs. One unusual modified version was "Univers Flair", a 1970s phototype clone from Phil Martin's "Alphabet Innovations", adding ostentatious swashes.[35] Frutiger, who found it amusing, placed a specimen on his office wall.[36]
URW Classic Sans
Univers 45, 55, 65, 57, 67, 53 and 63 (regular and bold weights with obliques in regular and condensed widths) are incorporated in the
Linotype Univers
In 1997 Frutiger reworked the whole Univers family in cooperation with Linotype, thus creating the Linotype Univers, which consists of 63 fonts. By reworking the Univers more "extreme" weights as Ultra Light or Extended Heavy were added as well as some monospaced typefaces. The numbering system was extended to three digits to reflect the larger number of variations in the family.
In addition to extra font width and weight combinations, the fonts are digitally interpolated, so that character widths scale uniformly with changing font weights. For fonts within a specific font weight, caps height, x-height, ascender and descender heights are the same. For oblique fonts, the slope is increased from 12° to the 16° of Frutiger's original drawings, and the character widths were adjusted optically. In addition, characters such as &, ®, euro sign, are redesigned, the ampersand to Frutiger's preferred true et ligature.[10]
Linotype Univers Typewriter
Linotype Univers Typewriter is a sub-family of fixed-width fonts under the Linotype Univers family. Four fonts have been produced in Regular and Bold weights, with obliques on each weight. Characters such as 1, I, J, M, W, i, j, l,
Univers Next (2010)
In 2010, Linotype extended the Linotype Univers family with true small caps and renamed as "Univers Next". All later extensions of the font family were marketed under the Univers Next title.
The font family includes all fonts previously released under the Linotype Univers title.
Univers Cyrillic, Univers Pro Cyrillic (2010)
In April 2010, Linotype announced the release of Cyrillic versions of the original Univers family, in TrueType, PostScript, and OpenType Pro font formats. Released fonts include Univers 55 Roman Oblique; Univers Pro Cyrillic 45 (roman, oblique), 55 (roman, oblique), 65 (roman, oblique), 75 (roman, oblique), 85 (roman, oblique), 47 (roman, oblique), 57 (roman, oblique), 67 (roman, oblique), 39 (roman), 49 (roman), 59 (roman).[39]
Univers Next W1G
This version supports Greek and Cyrillic characters.
The font family includes 12 fonts (330, 331, 430, 431, 530, 531, 630, 631, 730, 731, 830, 831) in 6 weights and 1 width, with complementary obliques.
The Cyrillic version was released as Univers Next Cyrillic in OpenType Pro format.
Univers Next Arabic (2011)
It is a companion to the Latin typeface Univers Next designed by Nadine Chahine with the consulting of Adrian Frutiger. It is a modern Kufi design with large open counters and low contrast, mainly designed to work in titles and short runs of text. The font includes the basic Latin part of Univers Next and support for Persian, Urdu and Arabic. It also includes proportional and tabular numerals for the supported languages.
The font family consists of 3 fonts (330, 430, 630) in 3 weights and 1 width, without obliques. OpenType features include fraction, localized forms, proportional figures, contextual alternates, discretionary ligatures, initial forms, terminal forms, glyph composition/decomposition, isolated forms, medial forms, required ligatures.
References
- ISBN 0-471-69902-0
- ^ Univers specimen book. American Type Founders. 1968. Retrieved 18 September 2015.
- ^ Budrick, Callie; Biemann, Emil (1961). "Subtleties of the Univers". Print. Retrieved 22 January 2016.
- ^ a b Mosley, James (1999). The Nymph and the Grot. London. p. 9.
{{cite book}}
: CS1 maint: location missing publisher (link) - ^ ISBN 9783038212607.
- ISBN 978-0-201-70339-9
- ^ Schwemer-Scheddin, Yvonne. "Reputations: Adrian Frutiger". Eye. Retrieved 12 September 2015.
- ^ a b Majoor, Martin. "My type design philosophy". Retrieved 12 September 2014.
- ^ a b Frutiger, Adrian. Typefaces: The Complete Works. pp. 97–102.
- ^ a b Shaw, Paul (12 May 2011). "Flawed Typefaces". Print magazine. Retrieved 30 June 2015.
- ^ "Univers". MyFonts. Monotype. Retrieved 26 March 2015.
- ^ Majoor, Martin (Spring 2007). "Inclined to be dull". Eye. Retrieved 3 August 2015.
- ^ Tracy, Walter. Letters of Credit. p. 99.
- ^ Mosley, James. "The Nymph and the Grot, an update". Type Foundry (blog). Retrieved 6 March 2016.
- ^ Coles, Stephen. "Helvetica and Alternatives to Helvetica". FontFeed (archived). Archived from the original on 21 September 2008. Retrieved 3 August 2018.
- ISBN 978-1-84511-028-4.
- ^ "A Website about Corporate Identity", entry for GE[permanent dead link]
- ^ "2010 REBRAND 100 Notable - Munich Re - Rebranding by MetaDesign German". Archived from the original on 2013-07-26. Retrieved 2015-03-09.
- ^ "Photo.net". Archived from the original on 2007-03-16. Retrieved 2007-03-21.
- ^ Brand 2016 Graphics Manual - Lite Version
- ^ "Linotype Fonts in Use - Ads / Recreation".
- ^ Primetype GmbH. "primetype.com".
- ISBN 1 85669 395 3
- ^ "Home - MetaDesign - Berlin". MetaDesign - Berlin.
- ^ "Electronics, Cars, Fashion, Collectibles, Coupons and More - eBay". Archived from the original on 2012-09-16. Retrieved 2012-10-11.
- ^ "Linotype Platinum Collection - Linotype Univers 3.0".
- ^ Savoie, Alice. "French Type Foundries in the Twentieth Century". Type Culture. Retrieved 7 September 2017.
- ^ Boag, Andrew (2000). "Monotype and Phototypesetting" (PDF). Journal of the Printing History Society: 57–77. Archived from the original (PDF) on 28 March 2016. Retrieved 22 July 2016.
- ^ Moran, James (1968). "Stanley Morison" (PDF). Monotype Recorder. 43 (3): 28. Retrieved 13 September 2015.
- ^ Randle, John (1984). "The Monotype". Matrix. 4: 42–54. Retrieved 9 October 2016.
- ISBN 978-1-85669-395-0.
- .
- ISBN 978-3764385811.)
{{cite book}}
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has generic name (help)CS1 maint: multiple names: authors list (link - ISBN 978-1-86940-671-4.
- ^ Simonson, Mark. "Interview with Phil Martin". Typographica. Retrieved 30 August 2014.
- ^ Frutiger, Adrian. Typefaces: The Complete Works. pp. 105, 425.
- ^ "Ghostscript". Ghostscript. Retrieved 19 January 2015.
- ^ "fontlibrary.org". fontlibrary.org. Retrieved 4 May 2018.
- ^ "Cyrillic Fonts - Linotype Font Feature".
External links
- Linotype Univers
- Typowiki: Univers Archived 2007-01-01 at the Wayback Machine
- Univers specimen book, 1968, published by ATF for the American market
- Podium discussion: Univers is a classical typeface
- Univers History and Usage
- Univers on MyFonts
- U001: open source clone in regular and condensed styles