Wide release

Source: Wikipedia, the free encyclopedia.

In the

Nielsen EDI as a film released in more than 600 theaters.[1][2]

The practice emerged as a successful marketing strategy in the 1970s, and became increasingly common in subsequent decades, in parallel with the expansion of the number of screens available at multiplex cinemas. With the switch to digital formats – lowering the added cost of wide release and increasing the opportunity for piracy – "opening wide" has become the default release strategy for big-budget mainstream films, sometimes expanding to include closely spaced wide releases in various countries, or even simultaneous world-wide release.[3]

History

Prior to the 1980s, most feature films initially opened in major cities such as New York, Los Angeles, Paris, and London, with a small set of prints then circulating as a "roadshow" among cinemas regionally over the course of a few months. The number of prints in circulation would be increased only to accommodate demand for highly popular features, which might be "held over" beyond their originally scheduled run. Many of the most successful major releases during this period were handled this way.[4]

In 1946,

MGM used a "splash" approach on The Hucksters, opening in 350 theaters before expanding to 1,000 theaters a week later.[5][6]

In 1952, Terry Turner of

RKO introduced "saturation booking" (similar to nationwide release but on a regional scale) on a reissue of King Kong and then expanded this concept with Warner Bros.' The Beast from 20,000 Fathoms (1953), planning to have most of its bookings in its first two months, opening in New York and Los Angeles before expanding to 1,422 theaters within the first week.[7][8]

theatrical rentals with runs averaging only ten days per screen. Warner Bros. then paid him a $300,000 advance to secure the distribution rights to Hercules. Released the following summer with over 600 prints (175 of these played simultaneously in the greater New York City area) with the assistance of Warner's nationwide network of print exchanges, the film secured $4.7 million in rentals.[10][11]

In 1974, Tom Laughlin gave The Trial of Billy Jack, a sequel to his independently distributed Billy Jack, one of the widest releases to date, opening in 1,200 theatres in the United States on November 13.[12] The following year, Breakout was the first major studio film to go into wide release in its opening week, with Columbia Pictures distributing 1,325 prints nationwide, combined with a heavy national advertising campaign.[12][13] The following month, Jaws was released in a similar way on 409 screens, expanding to nearly 1,000 by mid-August in conjunction with nationwide advertising. The modest success of Breakout and the blockbuster success of Jaws led other distributors to follow suit with other mass-market films. In December 1980, Any Which Way You Can beat the record set by Breakout, opening in a record 1,541 theaters.[13][14]

The growth in the number and size of multiplexes since the 1980s, increasing the availability of screens with more flexible scheduling, facilitated this strategy and, together with the reduction in the number of movie palaces, saw an end to the roadshow release strategy.[15][4] In 1984, Beverly Hills Cop was the first film playing simultaneously on more than 2,000 screens in the United States and Canada, in its third weekend in December.[16][17] In 1990, 13 films were shown on 2,000 screens simultaneously, and in 1993 the number had almost doubled to 24.[18] In 1993, 145 films (41% of films released) received a wide release in the United States and Canada with an average widest point of release of 1,493 engagements with 29% of the films' grosses coming from their opening week.[19]

In May 1996,

NC-17 rating to have a wide release in the United States, opening in 1,388 theaters.[22] In 1996, 67 films were released in the United States and Canada on more than 2,000 screens and by 1997, the average widest point of release for wide release films in the United States and Canada had reached 1,888 engagements with 37% of the films' grosses coming from their opening week.[23][19] By 2000, 22 films were released on more than 3,000 screens in the year, while the average widest point of release had increased to 2,228.[24]

By 2002, opening globally on the same day became more commonplace, with

20th Century Fox released X2, the second installment of the X-Men film series, in 3,741 theaters in the United States and Canada, and in 93 markets on 7,316 screens overseas.[29][30] Later that year, Warner Bros. released the third Matrix film, The Matrix Revolutions, simultaneously in 108 territories on November 5, 2003 at 1400 Greenwich Mean Time on around 18,000 screens with 10,013 prints overseas[31][32] and in 3,502 theaters in the United States and Canada.[33] Shrek 2 became the first film to open in over 4,000 theaters in the United States and Canada in 2004.[34] The Lion King set the record for the widest opening in the United States and Canada, being released in 4,725 theaters in 2019 before expanding two weeks later to 4,802 theaters.[35][36] In 2019, 120 films released in the United States and Canada played on 2,000 theaters or more.[37]

Classification

Since 1994, a wide release in the United States and Canada has been defined by EDI as a film released in more than 600 theaters.

New Line distribution president Mitch Goldman called the term a misnomer as he claimed that a film needed to open in more than 800 theaters to be considered a wide release but that such a film might not even play the top cities and that a film could open in the top 50 markets with just 600 prints and be in wide release.[39]

See also

References

  1. ^ "Indie distrib Premiere in need of cash". 27 September 2002. Archived from the original on 2021-10-16.
  2. Daily Variety
    . January 4, 1994. p. 4.
  3. ^ "Paramount stops releasing major movies on film". Los Angeles Times. 2014-01-18. Retrieved 2020-06-13.
  4. ^
    Daily Variety
    . p. 17.
  5. ^
    Archive.org
    .
  6. Archive.org
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  7. Archive.org
    .
  8. ^
    ISBN 1401352006
    .
  9. Archive.org
    .
  10. Archive.org
    .
  11. ^ McCarthy, Todd (August 5, 1987). "Joseph E. Levine Dead At 81; Leading Indie Producer Of '60s". Variety. p. 4.
  12. ^
    ISBN 1401352006
    .
  13. ^ a b McCarthy, Todd (December 17, 1980). "'Any Which Way' But Not Anti-Bid States". Variety. p. 3.
  14. ^ "Weekend Domestic Chart for December 19, 1980". The Numbers. Retrieved December 31, 2020.
  15. ISBN 0-8223-2115-7
    , p 78
  16. Daily Variety
    . p. 4.
  17. ^ "Beverly Hills Cop". Box Office Mojo. Retrieved June 8, 2020.
  18. Daily Variety
    . April 12, 1994. p. 21.
  19. ^ a b "EDI Box Office News More Shelf Space For Films". Variety. January 5, 1998. p. 3.
  20. ^ Thomas, Karen (May 24, 1996). "'Mission' is successful, breaks Wednesday record". USA Today. p. 1D.
  21. ^ Hindes, Andrew (May 24, 1996). "Mission Cruises to B.O. Record". Variety. p. 1.
  22. ^ Weinraub, Bernard (21 July 1995). "First Major Film With an NC-17 Rating Is Embraced by the Studio". The New York Times.
  23. ^ "EDI Box Office News: Really wide release". Variety. January 6, 1997. p. 18.
  24. ^ "ACNielsen EDI Box Office News: Screen Trends For 2000". Variety. March 5, 2001. p. 16.
  25. ^ Lyman, Rick (May 7, 2002). "In a Weekend, 'Spider-Man' Jump-Starts The Summer". The New York Times. Retrieved April 5, 2017.
  26. ^ Groves, Don (May 13, 2002). "Day-and-date strategy spins 'Spidey' success". Variety. p. 12.
  27. ^ Groves, Don (May 27, 2002). "'Clones' racks up top overseas sesh". Variety. p. 9. Retrieved June 8, 2020.
  28. ^ "Star Wars: Episode II - Attack of the Clones". Box Office Mojo. Retrieved June 8, 2020.
  29. ^ Groves, Don (May 12, 2003). "'X2' leads B.O. to second-highest sesh". Variety. p. 14. Retrieved June 8, 2020.
  30. ^ "X2: X-Men United". Box Office Mojo. Retrieved June 8, 2020.
  31. ISBN 1401352006
    .
  32. ^ Groves, Don (November 17, 2003). "'The Matrix' Takes Over the World". Variety. p. 17. Retrieved June 8, 2020.
  33. ^ "The Matrix Revolutions". Box Office Mojo. Retrieved June 8, 2020.
  34. ^ "News, May 21: "Shrek 2" Hits Record Number of Theaters, Vincent Gallo's "Bunny" Comes to U.S., Online Bets Taken on Celeb Poker Players, More..." Hollywood.com. May 11, 2009. Archived from the original on March 31, 2014. Retrieved March 31, 2014.
  35. ^ "The Lion King". Box Office Mojo. Retrieved May 24, 2020.
  36. ^ "All Time Charts: Miscellaneous Records". Box Office Mojo. Retrieved May 24, 2020.
  37. ^ McClintock, Pamela (December 15, 2023). "See You in 2025? Box Office Might Take $2B Hit Amid Delays". The Hollywood Reporter. p. 13.
  38. Daily Variety
    . January 4, 1994. p. 4.
  39. ^ Klady, Leonard (January 8, 1996). "Pictures go wide for B.O. touchdown". Variety. p. 13.

Further reading

  • Dade Hayes and Jonathan Bing, Open Wide: How Hollywood Box Office Became a National Obsession, Miramax Books, 2004. (
    ISBN 1401352006
    )
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