Gillo Pontecorvo
Gillo Pontecorvo | |
---|---|
Born | Gilberto Pontecorvo 19 November 1919 Pisa, Italy |
Died | 12 October 2006 Rome, Italy | (aged 86)
Occupation(s) | Film director, screenwriter, composer |
Years active | 1953–2003 |
Notable work | |
Spouse | Maria Adele "Picci" Ziino (m. 1964) |
Children | Marco Pontecorvo |
Relatives | Bruno Pontecorvo (brother) Guido Pontecorvo (brother) |
Gilberto Pontecorvo
His other films include
In 2000, he received the Pietro Bianchi Award at the Venice Film Festival. The same year, he was ascended as a Knight's Grand Cross of the Order of Merit of the Italian Republic.
Early life
Pontecorvo, born in Pisa, was the son of a wealthy secular Italian Jewish family. His father was a businessman. Gillo's siblings included brothers Bruno Pontecorvo, an internationally acclaimed nuclear physicist and one of the so-called Via Panisperna boys, who defected to the Soviet Union in 1950; Guido Pontecorvo, a geneticist; and Polì [Paul] Pontecorvo, an engineer who worked on radar after World War II; and David Maraoni; and sisters Giuliana (m. Talbet); Laura (m. Coppa); and Anna (m. Newton).
He studied
In Paris, Pontecorvo became involved in the film world, and began by making a few short documentaries. He became an assistant to
In 1941 Pontecorvo joined the Italian Communist Party. He traveled to northern Italy to help organize Anti-Fascist partisans. Going by the pseudonym Barnaba, he became a leader of the Resistance in Milan from 1943 until 1945. He coedited the weekly communist magazine, Pattuglia, with Dario Volari between 1948 and 1950.[1] Pontecorvo broke ties with the Communist party in 1956 after the Soviet intervention to suppress the Hungarian uprising.[citation needed] He did not, however, renounce his dedication to Marxism.[citation needed]
In a 1983 interview with the Guardian, Pontecorvo said, "I am not an out-and-out revolutionary. I am merely a man of the Left, like a lot of Italian Jews."[2]
Film career
Early films
After the Second World War and his return to Italy, Pontecorvo decided to leave journalism for filmmaking, a shift that appears to have been developing for some time. The catalyst was his seeing
In 1957 he directed his first full-length film,
The Battle of Algiers
Pontecorvo is best known for his 1966 masterpiece
The Battle of Algiers achieved great success and influence. It was widely screened in the United States, where Pontecorvo received a number of awards. He was nominated for two Academy Awards for direction and screenplay (a collaboration). The film has been used as a training video by revolutionary groups, as well as by military dictatorships dealing with guerrilla resistance (especially in the 1970s during Operation Condor). It has been and remains extremely popular in Algeria, providing a popular memory of the struggle for independence from France.
The semi-documentary style and use of an almost entirely non-professional cast (only one trained actor appears in the film) was a great influence on a number of future filmmakers and films. Its influence can be seen in the few surviving works of West German filmmaker
Late career
Pontecorvo's next major work, Queimada! (Burn!, 1969), deals with a fictional slave revolt, this time set in the Lesser Antilles. This film (starring Marlon Brando) depicts an attempted revolution in a fictional Portuguese colony. Pontecorvo continued his series of highly political films with Ogro (1979), which addresses the occurrence of Basque terrorism at the end of Francisco Franco's dwindling dictatorship in Spain. He continued making short films into the early 1990s and directed a follow-up documentary to The Battle of Algiers entitled Ritorno ad Algeri (Return to Algiers, 1992). In 1992, Pontecorvo replaced Guglielmo Biraghi as the director of the Venice Film Festival and was responsible for the festivals of 1992, 1993 and 1994. In 1991, he was a member of the jury at the 41st Berlin International Film Festival.[4]
In an interview that Pontecorvo gave in 1991, when asked why he had directed so few feature films, his response was that he could only make one with which he is totally in love. He also stated that he had rejected many other film concepts for the lack of interest.[citation needed]
Death
In 2006, he died from
Filmography
Feature films
Title | Year | Functioned as | Notes | ||
---|---|---|---|---|---|
Director | Writer | Composer | |||
The Wide Blue Road (La grande strada azzurra) | 1957 | Yes | Yes | No | Nominated - Crystal Globe (Karlovy Vary International Film Festival) |
Kapo (Kapò)
|
1960 | Yes | Yes | Yes | Nominated - Great Jury Prize (Mar del Plata International Film Festival) |
The Battle of Algiers (La Battaglia di Algeri) | 1966 | Yes | Yes | Yes | Golden Lion (Venice Film Festival) Nastro d'Argento for Best Director Nominated - Academy Award for Best Director Nominated - Academy Award for Best Original Screenplay Nominated - Nastro d'Argento for Best Score |
Burn! (Queimada)
|
1969 | Yes | Story | No | David di Donatello for Best Director |
Ogro (Operación Ogro) | 1979 | Yes | Yes | No |
Documentary films
Title | Year | Functioned as | Notes | ||
---|---|---|---|---|---|
Director | Writer | Composer | |||
Missione Timiriazev[6] | 1953 | Yes | No | No | |
Porta Portese | 1954 | Yes | No | No | |
Festa a Castelluccio | 1954 | Yes | No | No | |
Uomini del marmo | 1955 | Yes | No | No | |
Cani dietro le sbarre | 1955 | Yes | No | No | |
Pane e zolfo | 1959 | Yes | No | No | |
Gli uomini del lago | 1959 | Yes | No | No | |
Paras | 1963 | Yes | No | No | |
Addio a Enrico Berliguer | 1984 | Yes | No | No | |
Un altro mondo è possibile | 2001 | Yes | No | No | |
Firenze, il nostro domani | 2003 | Yes | No | No |
Short films
- Giovanna (1957, segment of Die Windrose)
- Udine (1984, segment of 12 registi per 12 città)
- Gillo Pontecorvo's Return to Algiers (1992)
- Danza della fata confetto (1996)
- Nostalgia di protezione (1997)
Further reading
- Bignardi, Irene (1999). Memorie estorte a uno smemorato. Vita di Gillo Pontecorvo. Feltrinelli.
- Celli, Carlo (2005). Gillo Pontecorvo: From Resistance to Terrorism. Lanham: Scarecrow Press.
- Ebert, Roger. Pontecorvo: 'We Trust the Face of Brando' Chicago Sun-Times. (April 13, 1969)
- Fanon, Frantz (2001). Pour la revolution africaine: Essais politiques. Paris: La Decouverte.
- Mellen, Joan; Pontecorvo, Gillo (Autumn 1972). "An Interview with Gillo Pontecorvo". Film Quarterly. 26 (1): 2–10. doi:10.1525/fq.1972.26.1.04a00030 (inactive 2024-02-28).)
{{cite journal}}
: CS1 maint: DOI inactive as of February 2024 (link - Mellen, Joan (1973). Filmguide to 'The Battle of Algiers'. Indiana University Publications.
- Said, Edward W. (2000). "The Quest for Gillo Pontecorvo". Reflections on Exile and Other Essays. Cambridge, Massachusetts: Harvard University Press. pp. 282–292. ISBN 9780674003026.
- Solinas, Franco (1973). Gillo Pontecorvo's 'The Battle of Algiers'. New York: Scribner’s.
References
- S2CID 144399337.
- ^ quoted by Rethinking Nordic Colonialism: A Postcolonial Exhibition Project in Five Acts, (24 March - 25 November 2006), curated by Kuratorisk Aktion for NIFCA, Nordic Institute for Contemporary Art.
- ^ "The 33rd Academy Awards (1961) Nominees and Winners". oscars.org. Retrieved 2011-10-29.
- ^ "Berlinale: 1991 Juries". berlinale.de. Retrieved 2011-03-21.
- ^ Peary, Gerald. "Talking with Gillo Pontecorvo".
- ^ Thompson, Bordwell, Kristin, David (2010). Film History: An Introduction, Third Edition. New York, NY: McGraw Hill.
{{cite book}}
: CS1 maint: multiple names: authors list (link)
External links
- Gillo Pontecorvo at IMDb
- Interview with Gillo Pontecorvo at the World Socialist Web Site
- (in French) Edition de « De l'abjection » (1961) par Jacques Rivette, critique du film Kapo (1959) de Pontecorvo, sur le site d'analyse L'oBservatoire (simple appareil).
- (in French) Présentation de La Bataille d'Alger de Gillo Pontecorvo, sur le site d'analyse L'oBservatoire (simple appareil).