Guruvayur Dorai

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Guruvayur Dorai (born 2 July 1935) is an Indian percussionist.[1] He is one of the most senior exponents of the South Indian classical percussion instrument, the mridangam. He had his initial training under Palghat Subba Iyer and E.P. Narayana Pisharody, and later from the legendary master Palani Subramaniam Pillai. Initiating his concert performances at the age of eight, Guruvayur Dorai has performed on the concert platform for the past 60 years. His wide range of efforts in the field of mridangam and music have helped propagate the art around the globe.

Early years

An exponent of the Pudukottai style of mridangam, Guruvayur Dorai (his real name being Vaidynathan) was born in the temple town

Young Dorai had a penchant for percussion and was frequently seen drumming on his body with his fingers even while in sleep. Struck by polio at the age of five, his father thought it would be difficult for Dorai to go outside of Guruvayur for higher studies and a job.

There was already a vocalist and a violinist in the family, a mridangist was all that was lacking. So his father decided to sculpt him into one. His father thought Ponnammal, Rajamani and Dorai could give concerts together and that the siblings would take care of Dorai. Moreover, they could make a living out of it.

Dorai began to learn mridangam under the Late Palghat Subba Iyer when he was six. E.P. Narayana Pisharody of Eranallur also taught him at this time. Pisharody's book 'Mridanga Nada Manjari' (a practical study of mridangam) was published by Guruvayur Dorai on 23 September 2001.

The legendary vocalist Chembai Vaidhyanatha Bhagavathar was teaching Ponnammal at that time. Whenever he came to Guruvayur, Chembai used to stay at their house. He took active interest in Dorai's mridangam practice. Dorai had his debut performance (arangetram) at the age of eight, performing with none other than Chembai himself.

1949 was a watershed in Dorai's career, as he came to Chennai for the first time to perform with Chembai in a concert. Meanwhile, Ponnammal got a chance to sing in a Malayalam film. As the opportunities were more copious in Chennai, their father decided to settle there. Dorai, Ponnammal, Rajamani and the father stayed in a rented house in the city while the rest of the family remained in Guruvayur. In the same year, he also happened to meet the legendary mridangam artist Palani Subramaniam Pillai in Thirupoontharai. After Palani Subramaniam Pillai moved to Madras in 1953, Dorai commenced classes with the maestro. This helped him understand and absorb the complexities of the Pudukottai style of mridangam. Dorai stayed with Palani Subramaniam Pillai in his residence for nearly nine years in the gurukulavasam fashion.

Performances

Dorai performed with nearly all the eminent artists even at a young age, including

Dorai also accompanied Sr. Vinjamuri Varadaraja Iyengar on multiple occasion to concerts across Andhrapadesh. An excerpt from his interview - "He encouraged me very much, kept me with him and let me play for him. Apart from that, I gave a lot of kutcheries in Andhra Pradesh. For all those places, Vinjamuri Varadaraja Iyengar took me with him; like Kakinada, Guntur, Tenali, Vijayawada and to many other places he took me with him and introduced me. Because of his taking me with him, those Sabhas/ people got acquainted with me and got to know me". Read More About the Interview

Moreover, he is one of the few mridangists who has performed with nagaswaram wizards, namely

• Sangeetha Kalasikhamani, 2003 by The Indian Fine arts Society, Chennai
• Sangeet Natak Akademi Award 1996^[2]
• Kalaimamani, 1990 by the Govt. of Tamil Nadu
• Sangeet Natak Akademi Tagore Ratna
  2011

References

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