Lavanda Naach
 | This article needs attention from an expert in Dance. The specific problem is: Given the references included, seems it needs expanded on greatly. (January 2020) |
| Genre | Folk dance |
|---|---|
| Origin | Purvanchal, India |
The Lavanda Nach (Bhojpuri: 𑂪𑂫𑂝𑂹𑂙𑂰 𑂢𑂰𑂒𑂢𑂰𑂒; Lit.: Boy's Dance) is a folk dance of the Bhojpuri speaking Community of India, Nepal, Mauritius and the Caribbean Islands.[1] It is performed by only males who dress as women called "lavanda".[2] During the wedding ceremony lavanda dancers are a focal point, leading the groom's entourage to the bride's home.[3][4]
Name
The Bhojpuri word launda literally means a young male adolescent. However, in daily life, it is sometimes used as a derogatory term for a man, who is effeminate and from an inferior Caste.[5] Whereas, the term naach translates to dance.
In the
History
The earliest mention of this folk dance can be found in 11th century which remained alive in the Bhojpuri region and in 19th century, this idea of transforming the centuries-old art form into a people's theatre was conceptualised by Bhikhari Thakur,[6] who is also for credited for popularising it. In the first few decades of the twentieth century when the world was witnessing revolutionary changes recognising the rights of the downtrodden, Bhikhari Thakur displayed their constant struggle and survival instinct through agrarian theatre that came to be colloquially known as 'Lavanda Naach',[7] comprising "songs, dance, comedy, satire, pun, banter, parody, and theatre where men impersonate women in performances that last all night."[8]
Tradition, recognition and criticism
However, the Lavanda Naach diversified over time, transcending the boundaries and parameters established by the scions of Thakur's theatre. With the rise of multiple sources of entertainment, the folk art form has also been criticised for losing its 'professionalism', allowing objectification and validating it, and becoming an area for abuse.[10] Although the professional groups engaged in Lavanda Naach have been criticised for restricting the participation of women, one reason behind this is prevalence of human trafficking in the case of 'lewd dance troupes', called Aarkestra, which are gaining traction in the region where once Lavanda Naach was well received.[11] This rapid change has been pushing the performances of the Lavanda Naach ensembles to be adjusted according to the mainstream audience demands.[12]
Notable performers
References
- ISBN 978-93-5009-793-9.
- ^ "The Tragic Exploitation of India's Launda Dancers".
- ^ UNICEF (April 2010). "SEXUAL ABUSE AND EXPLOITATION OF BOYS IN SOUTH ASIA A REVIEW OF RESEARCH FINDINGS, LEGISLATION, POLICY AND PROGRAMME RESPONSES". UNICEF Innocenti Research Centre.
- ^ "'हम सेक्स नहीं बेचते हैं ये तो बस एक कला है'". BBC News हिंदी (in Hindi). 2018-04-19. Retrieved 2022-03-02.
- ^ a b Dost 2017, p. 106.
- ^ "Ramchandra Manjhi: The last scion of Bhikhari Thakur's Naach tradition". National Herald.
- ^ "Celebrating 100 years of Bhikaji Thakur's 'Launda Naach'". 12 July 2017.
- ^ Shrivastava, Girish (3 August 2018). "The fire is still burning". The Hindu.
- ^ "Ramchandra Manjhi: The last scion of Bhikhari Thakur's Naach tradition". 14 October 2018.
- ^ "Launda Naach: Men Dress as Women & Dance in Front of Sexually Hungry Men in Bihar". 16 May 2020.
- ^ "Launda Naach: Keeping Folk Art Alive in Bihar". 31 December 2019.
- ^ "Act like a woman: How a little-known folk art form is sweeping away barriers of caste and gender, one Launda at a time". 4 November 2017.
Bibliography
- Dost, Jainendera (2017). "Naach, Launda Naach or Bidesiya Politics of (re)naming". Performance Research. 22 (5): 106–112. S2CID 158697968.