Shambuka
Shambuka (
According to this version, Shambuka, a shudra ascetic, was killed by the god Rama (protagonist of the Ramayana) for attempting to perform tapas (austerities) in violation of dharma, resulting in the bad karma which caused the death of a Brahmin's son.[3][4][5]
The story is regarded to be created at a later period.[6] While the Uttara Kanda (including Shambuka's tale) is generally regarded as a later interpolation to the original epic,[1][7] the Book is considered part of "ongoing Ramayana tradition" and part of the Valmiki Ramayana.[1][8]
Shambhuka is alluded in the epic
Legend in the Uttara Kanda of the Ramayana
According to this story, when
The Uttara Kanda - dated to post-Vedic period (3rd to 2nd century BCE)[11] is regarded an interpolation to the original epic.[11][1][12]
Appearance in other texts
Shambuka is alluded in 12.149.61.62[9] in the epic Mahabharata (Principally compiled in 3rd century BCE–4th century CE), in a debate between a jackal and a vulture at a cremation ground. The jackal urges the family of a dead young boy to not abandon him at the cremation ground citing how Rama revives a dead Brahmin boy and slew the sudra Shambuka.[13][14][15][16]
The Shambuka also appears in
This story is missing in later renditions of the Ramayana such as the Ramcharitmanas, written by Tulsidas in the 16th century, which ends with coronation of Rama.[22]
Reception
According to local temple legend, Rama temple at Ramtek owes its origin to Shambuka. It is believed that Shambuka performed his tapas on Ramtek hill. Rama granted Shambuka three boons at his request: Rama stay in Ramtek (origin of the temple), Shambuka's corpse be turned into a shivalinga (icon of the god Shiva). Devotees worship Shambuka before worshipping Rama, as per the last boon.[24][25]
Authors such as
K.R. Raju termed the story of Shambuka as "frivolous" and "maliciously fabricated".[29]
Relationship to Caste System
The Shambuka story is connected to discussions of the
These themes have appeared in modern literary work in the form of re-tellings of the Shambuka story.[33] Multiple plays have reimagined the story, variously modifying it to depict Rama as a servant of the ruling class (T. Ramaswamy Choudary's Sambuka Vadha (1920)), to have Shambuka act as mouthpiece for anti-caste scholars (Thiruvarur K. Thangaraju's Ramayana Natakam (1954)), or to have Shambuka live and instead help the Brahmin who accused him to achieve enlightenment (Kuvempu's Shudra Tapasvi (1944)).[33] The 1977 film Kanchana Sita, based on a 1961 play by the same name, depicts Rama as caught in inner conflict between moksha (the desire for enlightenment) and artha (the desire for sovereign power). [34]
In popular culture
- Sambuka Vadha ("The Slaying of Sambuka"), a 1920 Telugu play by T. Ramaswamy Choudary [33]: 127
- Shudra Tapasvi ("The Shudra Ascetic") a 1944 play by celebrated Kannada poet Kuvempu.[33]: 133
- 1954 play, Ramayana Natakam ("Ramayana Drama"), by Tamil journalist, playwright, and actor Thiruvarur K. Thangaraju[33]: 129
- Kanchana Sita, a 1961 play by Malayalam playwright C. N. Sreekantan Nair.
- Kanchana Sita, a 1977 film based on the 1961 play of the same name, by Kerala filmmaker Govindan Aravindan.[34]
- Teesri Azadi, a film on caste system depicts the story of Shambuka.
Notes
- ^ ISBN 978-0-253-21953-4. Archivedfrom the original on 6 August 2020. Retrieved 27 April 2020.
- ISBN 9780691225029.: 7–8
- ^ Government of Maharashtra, Nasik District Gazeteer: "History - Ancient Period". Archived from the original on 7 November 2006. Retrieved 1 October 2006. (text credited to Mahamahopadhyaya Dr. V. V. Mirashi)
- ^ OL 8651428W.
- from the original on 5 April 2023. Retrieved 22 March 2023.
- ^ from the original on 12 November 2022. Retrieved 12 November 2022.
- ^ An Introduction to Eastern Ways of Thinking. Concept Publishing Company. p. 158.
By now, it can be confirmly said the ' Uttarkand ' of Ramayana is an interpolation of quite later period
- ISBN 978-93-85990-35-9.
- ^ ISBN 978-0-226-25250-6.
- ^ "Surpanakha's Shambuk". 18 June 2023.
- ^ a b Indologica Taurinensia. Istituto di indologia. 2005. p. 245.
- ^ An Introduction to Eastern Ways of Thinking. Concept Publishing Company. p. 158.
By now, it can be confirmly said the ' Uttarkand ' of Ramayana is an interpolation of quite later period
- ^ Sherraden pp. 1-2
- ^ "The Mahabharata, Book 12: Santi Parva: Apaddharmanusasana Parva: Section CLIII". sacred-texts.com. Retrieved 21 November 2023. Kisari Mohan Ganguli p. 338, Note 338:1
- ^ Raghavan, Venkatarama (1973). The Greater Ramayana. All-India Kashiraj Trust. p. 27.
- ISBN 978-93-5118-567-3.
- ISBN 9780520220744.
- OCLC 1051754532.)
{{cite book}}
: CS1 maint: multiple names: authors list (link - )
- ^ Kulasekara Alvar. Perumal Thirumozhi, Naalayira Divya Prabandham (PDF). Project Madurai. p. 131.
- ISBN 978-81-208-0597-2.
- ^ ISBN 978-1-57607-905-8.
- ISBN 90-04-09318-4.
- ^ Paula Richman in Sherraden p. xviii
- ISBN 978-1-351-77299-0.
- ISBN 9781000083774.
- ISBN 9780896843950. Archivedfrom the original on 19 May 2022. Retrieved 19 May 2022.
Mahatma Gandhi , on the other hand, has regarded this entire story as an interpolation
- ^ Motiramji Sastri, Ramayan (in Gujarati) (Ahmedabad, 1961).
- ^ Untouchability Affire Archived 5 April 2023 at the Wayback Machine, p.17, 1997
- ISBN 978-0143116691.
- ^ Ambedkar, Bhimrao Ramji (1936). Annihilation of Caste (Speech). The 1936 Annual Conference of the Jat-Pat-Todak Mandal of Lahore (not delivered).
- ^ Richman, Paula (9 March 2018). "Why Periyar was critical of the Ramayana (and Rama)". Scroll.in. Retrieved 20 November 2023.
- ^ a b c d e Richman, Paula (2004). "Why Can't a Shudra Perform Asceticism? Sambuka in Three Modern South Indian Plays". In Mandakranta, Bose (ed.). The Ramayana Revisited. Oxford University Press.
- ^ ISBN 978-0-253-34988-0.
References
- Sherraden, Aaron (1 August 2023). Śambūka and the Rāmāyaṇa Tradition: A History of Motifs and Motives in South Asia. Anthem Press. ISBN 978-1-83998-471-6.