Sociomusicology
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Sociomusicology (from
Sociomusicological issues
The work of scholars in sociomusicology is often similar to
Since the field of
In addition, the act of making music is a social production as well as a social activity. Even if the music artist is a solo performer, the production of the music itself, took a level of social effort. From the instruments that were created to make the music, to the final production of generating a way to listen to the music, also known as the product.[2] Furthermore, one can argue that even the distribution of the music is a social act. Some teachers are trying out more non traditional ways of teaching material, by using music to connect with their students on levels that the student can relate to, as well as "to draw illustrations of sociological concept".[3]
Among the most notable classical sociologists to examine the social aspects and effects of music were
Alternative definitions
In the entry for "Sociomusicology" in the SAGE International Encyclopedia of Music and Culture, David Hebert argues that recent use of the term suggests four definitions: sociology of music, any kind of social scientific research on music (e.g. economic, political, etc.), a specialized form of ethnomusicology focused on relations between sound events and social structure, and a prospective replacement term for ethnomusicology.[4]
See also
References
- ^ Katharine Ellis, "The Sociology of Music". Chapter 3 in J.P.E. Harper-Scott, Jim Samson (eds.), An Introduction to Music Studies, Cambridge, Cambridge University Press, 2009, pp. 55–56.
- ^ Nikoghosyan, Nuné (20 January 2017). "Music and Wellbeing – a sociological perspective". Musicalist. Retrieved 2019-10-30.
- JSTOR 3211313.
- ^ Hebert 2019, pp. 2004–2006.
Sources
- S2CID 194264533.
- Ko, Charles Ka Shing (2011). An analysis of sociomusicology, its issues; and the music and society in Hong Kong. Hong Kong: Ko Ka Shing. ISBN 978-9-881-58021-4.
Further reading
This 'further reading' section may need cleanup. (April 2020) |
- Adler, Guido(1885). Umfang, Methode und Ziel der Musikwissenschaft. Vierteljahresschrift für Musikwissenschaft, 1, 5–20.
- Beaud, Paul and Alfred Willener (1973). Musique et vie quotidienne, essai de sociologie d'une nouvelle culture: electro-acoustique et musique pop; improvisation, in series, Repères. [S.l.]: Éditions Mame. 272 p. ISBN 2-250-00512-5
- Becker, Howard S.(1963). "The Culture of ... [and] Careers in ... a Deviant Group: the Dance Musician", in his Outsiders: Studies in the Sociology of Deviants (New York: Free Press, 1966, cop. 1963), p. [79]–119. N.B.: The results are of a study undertaken in 1948–1949.
- de Clercq, Jocelyne (1970). La profession de musician: une enquête, in series, Études de sociologie de la musique. Bruxelles: Éditions de l'Institut de Sociologie, Université libre de Bruxelles. Variant title on half-title page: Le Musicien professional: une enquête. 165, [1] p. Without ISBN or SBN
- Devine, Kyle Ross & Shepherd, John (ed.) (2015). The Routledge Reader on the Sociology of Music. Routledge. ISBN 9781138856363.
- Hildegard Froehlich and Gareth Dylan Smith (2017). Sociology for Music Teachers: Practical Applications. Routledge. ISBN 978-1-315-40232-1.
- Hill, Dave (1986). Designer Boys and Material Girls: Manufacturing the [19]80s Pop Dream. Poole, Eng.: Blandford Press. ISBN 0-7137-1857-9
- Empirical Musicology Review, 1/1, 2-5
- ISBN 0-00-197170-0.
- Martin, Peter J., (1995). Sounds and Society: Themes in the Sociology of Music and Society. Manchester University Press. ISBN 978-0-7190-3224-0
- Martin, Peter J., (2006). Music and the Sociological Gaze: Art worlds and cultural production. Manchester University Press. ISBN 978-0-7190-7217-8
- ISBN 0-394-56475-8.
- ISBN 0-335-15275-9.
- Pruett, James W., and Thomas P. Slavens (1985). Research guide to musicology. Chicago: American Library Association. ISBN 0-8389-0331-2.
- Sorce Keller, Marcello (1996). Musica e sociologia, Milan: Ricordi.
- Daniela Stocks: Die Disziplinierung von Musik und Tanz. Die Entwicklung von Musik und Tanz im Verhältnis zu Ordnungsprinzipien christlich-abendländischer Gesellschaft. Leske + Budrich, Opladen 2000, ISBN 3-8100-2565-8.
- Voyer, Pierre (1981). Le Rock et le rôle [sic]. [Montréal, Qué.]: Leméac. ISBN 2-7609-9429-5
External links
This article's use of external links may not follow Wikipedia's policies or guidelines. (April 2020) |
- Popular Music and Society (archived 3 October 2000)
- International Review of the Aesthetics and Sociology of Music
- Action, Criticism, and Theory for Music Education
- The American Musicological Society
- Doctoral Dissertations in Musicology Online (archived 20 August 2006)
- AMS: Web sites of interest to Musicologists (archived 16 November 2006)
- The Society for American Music
- Graduate Programs in Musicology
- Conference on Interdisciplinary Musicology (archived 30 September 2007)
- Society for Ethnomusicology
- American Sociological Association (ASA)
- British Sociological Association (BSA)
- European Sociological Association (ESA) (archived 2 January 2008)
- International Sociological Association (ISA)
- International Hongkongers' Board and Councils of Musicology and Musics (IHBCM) (archived 24 January 2014)