Vijayanagara architecture

Source: Wikipedia, the free encyclopedia.

Virupaksha temple, Raja Gopura (main tower over entrance gate) at Hampi, Karnataka
Typical dravidian style Shikhara (superstructure) over shrines at the Raghunatha temple in Hampi
Typical dravidian shrine and mantapa of the Vijayanagara period at Balakrishna temple in Hampi

Vijayanagara architecture of 1336–1565 CE was a notable building idiom that developed during the rule of the imperial Hindu Vijayanagara Empire. The empire ruled South India, from their regal capital at Vijayanagara, on the banks of the Tungabhadra River in modern Karnataka, India. The empire built temples, monuments, palaces and other structures across South India, with the largest concentration in its capital. The monuments in and around Hampi, in the Vijayanagara district, are listed as a UNESCO World Heritage Site.

In addition to building new temples, the empire added new structures and made modifications to hundreds of temples across South India. Some structures at Vijayanagara are from the pre-Vijayanagara period. The Mahakuta hill temples are from the

Western Chalukya era. The region around Hampi had been a popular place of worship for centuries before the Vijayanagara period with earliest records dating from 689 CE when it was known as Pampa Tirtha after the local river God
Pampa.

There are hundreds of monuments in the core area of the capital city. Of these, 56 are protected by UNESCO, 654 monuments are protected by the Government of Karnataka and another 300 await protection.[1]

Salient features

Early 14th century Shiva temples on Hemakuta hill built during the rule of Harihara Raya I incorporates the stepped Kadamba style nagara shikhara (superstructure)
The mid-14th century Vidyashankara temple at Sringeri, one of the earliest temples built by the kings of the empire
Typical shrine at Hazare Rama temple in Hampi
A typical Vijayanagara style pillared maha mantapa (main hall) at Someshvara temple at Kolar
Pillared open mantapa incorporating Hoysala style "staggered square" layout at Vittala temple in Hampi
Typical large open pillared hall at Ananthasayana temple in Ananthasayanagudi, Bellary district, Karnataka
Kudure gombe (horse doll) pillars in a mantapa at Hampi
An open mantapa with yali columns at the Vittala temple in Hampi

Vijayanagara architecture can be broadly classified into religious, courtly and civic architecture, as can the associated sculptures and paintings.

Chola styles which evolved earlier in the centuries when these empires ruled and is characterised by a return to the simplistic and serene art of the past.[3]
Large multi-purpose halls (mandapas) surrounding the main shrine with elaborate and intricately carved pillars and the tall entrance towers (Gopurams, more specifically Rayagopurams named after the ruling Rayas) are two notable Vijayanagara additions to South Indian temple architectural tradition.

For the approximately 400 years during the rule of the

sculptures.[4] While the use of granite reduced the density of sculptured works, granite was a more durable material for the temple structure. Because granite is prone to flaking, few pieces of individual sculptures reached the high levels of quality seen in previous centuries. To cover the unevenness of the stone used in sculptures, artists employed plaster to give the rough surface a smooth finish and then painted it with lively colours.[5]

Temple structures

Vijayanagara temples are usually surrounded by a strong enclosure. Small shrines consist simply of a

Pradakshinapatha) passage around the sanctum, an open mahamantapa (large hall), a kalyanamantapa (ceremonial hall) and a temple tank to serve the needs of annual celebrations.[7]

Temple pillars often have engravings of charging horses or hippogryphs (

Hindu mythology.[8] Pillars that do not have such hippogryphs are generally rectangular with mythology-themed decoration on all sides. Some pillars have a cluster of smaller pillars around a central pillar shaft. The bottom supports of these pillars have engravings of gods and goddesses. Carvings of hippogryphs clearly show the adroitness of the artists who created them.[9]

The Mandapas are built on square or polygonal plinths with carved

basadi
at Mudabidri is an example. Larger temples have a separate shrine for the female deity. Some examples of this are the Hazara Rama, Balakrishna and Vitthala temples at Hampi.

Some shrines in the Vitthalapura area inside Vijayanagara were consecrated specifically for Tamil

Hoysala style tank and is seen in many parts of present-day Karnataka.[13]
The inscriptions on the slabs indicate the material was brought from outside the Vijayanagara area.

Palaces

Much of what is known today of Vijayanagara palaces is drawn from archaeological excavations at Hampi as no royal palace structures have survived.[14] Most palaces stand in their own compound defined by high tapering walls made of stone or layered earth. Palaces are approached through a sequence of courts with passageways and doorways requiring multiple changes in direction. All palaces face east or north. The larger palaces have side extensions giving the complex a symmetrical shape.

Palaces were built on raised platforms made of granite. The platforms have multiple tiers of mouldings with well-decorated friezes.[15] The decorations can be floral, Kirtimukha shapes (demon faces), geese, elephants and occasionally human figures. Pillars, beams and rafters inside the palace were made of wood as evidenced by ash discovered in excavations. The roof was made of brick or lime concrete, while copper and ivory were used for finials. Palaces commonly consisted of multiple levels with each flight of stairs decorated by balustrades on either side, with either yali (imaginary beast) or elephant sculptures. The entrance steps into palaces and temple mantapas were similarly decorated. Water tanks inside the palace complex have decorative water spouts such as the carved torso of the Nandi with a gaping mouth to allow water flow into the tank.[16] Other structures commonly found inside a palace complex are wells and shrines.

The courtly architecture generally show secular styles with Islamic influences. Examples are the Lotus Mahal palace, Elephant stables, and watch towers.[17] Courtly buildings and domed structures were built with mortar mixed with stone rubble.[2]

The impact of this style of architecture was seen well into the 17th century when the successive Nayaka kingdoms continued to encourage pillars with hippogryphs and granite became the main building material.

Other famous temples in Karnataka

While the empire is well known for its monuments in the regal capital Vijayanagara (a UNESCO World Heritage Site), it also built temples in other regions of Karnataka including the coastal region (called Karavali) where the Vijayanagara idiom mingled with local styles. A List of these temples and their approximate time of construction is given in the article List of Vijayanagara era temples in Karnataka.[citation needed]

Famous temples in Andhra Pradesh

In

Tirupati and others. In Tamil Nadu
the empire built the Vijayaraghava Permal temple modeled after the famous temples at Tirupati with statues of Krishnadevaraya in Thayar Sanithi pillars facing each other.

Gallery

  • Typical Vijayanagara style dravida shikhara (south Indian style tower over shrine) at the Someshvara temple at Kolar (14th century)
    Typical Vijayanagara style dravida shikhara (south Indian style tower over shrine) at the Someshvara temple at Kolar (14th century)
  • Yali pillars at Ranganatha temple, Rangasthala, Chikkaballapur district, Karnataka
    Yali pillars at Ranganatha temple, Rangasthala, Chikkaballapur district, Karnataka
  • Yali pillars at Ranganatha temple in Neerthadi, Chitradurga district, Karnataka
    Yali pillars at Ranganatha temple in Neerthadi, Chitradurga district, Karnataka
  • Yali pillars of a mantapa at Vittala temple, Hampi
    Yali pillars of a mantapa at Vittala temple, Hampi
  • Pillared hall in Veera Bhadra temple, Lepakshi
    Pillared hall in Veera Bhadra temple, Lepakshi
  • A mantapa with hippogryphs at Melkote
    A mantapa with hippogryphs at
    Melkote
  • Ornate pillared Kalyanamantapa in Cheluva Narayana temple, Melkote
    Ornate pillared Kalyanamantapa in Cheluva Narayana temple,
    Melkote
  • Pillared hall in Raghunatha temple, Hampi
    Pillared hall in Raghunatha temple, Hampi
  • Kudure Gombe (horse doll) mantapa in Hampi
    Kudure Gombe (horse doll) mantapa in Hampi
  • Elephant balustrade leading to open mantapa in Raghunatha temple in Hampi
    Elephant balustrade leading to open mantapa in Raghunatha temple in Hampi
  • Yali pillars with Hippogryphs at Hampi
    Yali pillars with Hippogryphs at Hampi
  • Yali pillars in Aghoreshwara Temple at Ikkeri in Shimoga District
    Yali pillars in Aghoreshwara Temple at Ikkeri in
    Shimoga District
  • Market place at Hampi and the sacred tank located near the Krishna temple
    Market place at Hampi and the sacred tank located near the Krishna temple
  • Saavira Kambada Basadi features 1000 pillars with exquisite detail, support the temple and no two pillar are alike.
    Saavira Kambada Basadi features 1000 pillars with exquisite detail, support the temple and no two pillar are alike.

Terminology

  • Mantapa
    – pillared hall
  • Mahamantapa – Open pillared hall
  • Rangamantapa – Closed pillared hall
  • Kalyanamantapa – Hall meant for celebrations and special occasions
  • Garbhagriha – Sanctum where the idol of God is placed
  • Navaranga or Antrala – passage the connects different Sanctums
  • Shukanasi – Antechamber

See also

Notes

  1. ^ Global Heritage Fund Archived 27 September 2006 at the Wayback Machine
  2. ^ a b Hampi – A Travel Guide, pp 36, Department of Tourism, India
  3. Percy Brown calls Vijayanagara architecture a blossoming of Dravidian
    style, A Concise History of Karnataka, pp 182, Dr. S.U. Kamath, History of Karnataka, Arthikaje
  4. Chalukya
    says Dr. S.U. Kamath about the sculptures in Vijayanagar style, A Concise History of Karnataka, pp 184, Dr. S.U. Kamath
  5. ^ Hampi – A Travel Guide, pp 42–43, Department of Tourism, India
  6. ^ The elaboration of ceremonial observances produced a corresponding elaboration in the temple system, says art critic Percy Brown, A Concise History of Karnataka, pp 183, Dr. S.U. Kamath
  7. ^ The attached colonnettes and sculptured animals are a significant artistic innovation of the reign of king Krishnadevaraya. New Light on Hampi, Recent research in Vijayanagara, edited by John M. Fritz and George Michell, pp 8
  8. ^ A Concise History of Karnataka, pp 183, Dr. S.U. Kamath
  9. ^ An imaginary beast acting as parapet. These beautifully sculptured supports were used in entrances to temples and as flanks to steps and stairs in royal palace structures. New Light on Hampi, Recent research in Vijayanagara, edited by John M. Fritz and George Michell, pp 53
  10. ^ A regular feature saya Prof. K.A.N. Sastri about the importance of pillars in the Vijayanagara style in A Concise History of Karnataka, pp 183, Dr. S.U. Kamath
  11. ^ New Light on Hampi, Recent research in Vijayanagara, edited by John M. Fritz and George Michell, pp 35–36
  12. ^ According to Dominic J Davidson-Jenkins in New Light on Hampi, Recent research in Vijayanagara, edited by John M. Fritz and George Michell, pp 89
  13. ^ According to Channabasappa S. Patil, New Light on Hampi, Recent research in Vijayanagara, pp 51, edited by John M. Fritz and George Michell
  14. ^ A rectangular decorated panel of stone is called a frieze, A complete guide to Hoysala Temples, pp 93 Gerard Foekema.
  15. ^ According to Channabasappa S. Patil, New Light on Hampi, Recent research in Vijayanagara, pp 57, edited by John M. Fritz and George Michell
  16. ^ New Light on Hampi, Recent research in Vijayanagara, edited by John M. Fritz and George Michell, pp 10.

References

Wikimedia Commons has media related to Architecture of the Vijayanagara Empire.
  • Incredible India Hampi Guide
  • Dr. Suryanath.M.U.Kamat, A Concise history of Karnataka from pre-historic times to the present, Jupiter books, MCC, Bangalore, 2001 (Reprinted 2002) OCLC: 7796041
  • Hampi, A Travel Guide, Department of Tourism, India, Good Earth publication, New Delhi 2003
    ISBN 81-87780-17-7
  • New Light on Hampi, Recent research in Vijayanagara, edited by John M. Fritz and George Michell, MARG, 2001,
    ISBN 81-85026-53-X
  • History of Karnataka, Arthikaje
  • Temples of Karnataka, Dr. Jyotsna Kamat
  • Architecture of Indian Subcontinent, Takeyo Kameya
  • TempleNet:Temples of India
  • www.Hampi.in: A website with photographs, descriptions and the site maps of the Hampi ruins.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Vijayanagara_architecture&oldid=1222162064"